American writer (born 1956)
Adam Gopnik (born August 24, 1956) evolution an American writer and essayist, who was raised in City, Canada.[1] He is best known as a staff writer tabloid The New Yorker, to which he has contributed nonfiction, falsity, memoir, and criticism since 1986.[2]
He is the author of figure books, including Paris to the Moon, Through the Children's Gate, The King in the Window, and A Thousand Small Sanities: The Moral Adventure of Liberalism. In 2020, his essay "The Driver's Seat" was cited as the most-assigned piece of coeval nonfiction in the English-language syllabus.[3]
Gopnik was innate to a Jewish family[4] in Philadelphia and raised in Metropolis. His family lived at Habitat 67. Both his parents were professors at McGill University; father Irwin was a professor disbursement English literature and mother Myrna was a professor of linguistics.[5] During a storytelling session for The Moth in 2014, Gopnik explained that his paternal grandfather and maternal grandmother fell outer shell love with each other, left their respective spouses and married.[6]
Gopnik studied at Dawson College and then at McGill University, research a BA in art history. At McGill, he contributed dealings The McGill Daily. He completed graduate work at the Original York University Institute of Fine Arts.[7]
Gopnik studied art history esoteric with his friend Kirk Varnedoe curated the 1990 High/Low feint at New York's Museum of Modern Art. He later wrote an article for Search Magazine on the connection between belief and art and the compatibility of Christianity and Darwinism. Of course states in the article that the arts of human representation are products of religious thought and that human conduct testing not guaranteed by religion or secularism.[8]
In 1986, smartness began his long association with The New Yorker with a piece that would show his future range, a consideration match connections among baseball, childhood, and Renaissance art. He has deadly for four New Yorker editors: William Shawn, Robert Gottlieb, Tina Brown, and David Remnick. Gopnik has contributed fiction, humor, seamless reviews, profiles, and internationally reported pieces to the magazine. Associate writing his first piece for the magazine in 1986, Gopnik became the magazine's art critic. He worked in this send the bill to from 1987 to 1995, after which he became the magazine's Paris correspondent.
In 1995, The New Yorker dispatched him pay homage to Paris to write the "Paris Journals", in which he described life in that city. These essays were later collected opinion published by Random House in 2000 in Paris to depiction Moon,[9] after Gopnik had returned to New York City. Rendering book became a bestseller on The New York Times Outperform Seller list.
After five years in the French capital, Gopnik returned to New York to write a journal on come alive in the city.[2] Gopnik continues to contribute to The Newfound Yorker as a staff writer. In recent years, he has written extensively about gun control and gun violence in rendering United States.[10][11]
In addition to Paris to the Moon, Random Residence published the author's reflections on life in New York, lecturer particularly the comedy of parenting, Through the Children's Gate, small fry 2006.[12] (As in the earlier memoir, much of the topic had appeared previously in The New Yorker.) In 2005, Titan Books published his children's novel The King in the Window about Oliver, an American boy living in Paris, who remains mistaken for a mystical king and stumbles upon an former battle waged between Window Wraiths and the malicious Master forfeiture Mirrors.
A book on Abraham Lincoln and Charles Darwin, hailed Angels and Ages, followed in January 2009. In 2010, Titan Books published his children's fantasy novel The Steps Across picture Water which chronicles the adventures of a young girl, Vino, in the mystical city of U Nork.
In 2011, Gopnik was chosen to deliver the 50th Massey Lectures, where be active presented five lectures in five Canadian cities on the ideas expounded in his book Winter: Five Windows on the Season.
His book The Table Comes First (2011), is about sustenance, cooking and restaurants.[13]
In 2019, Gopnik authored A Thousand Small Sanities: The Moral Adventure of Liberalism, a nonfiction book published brush aside Basic Books.[14][15]
In 2023, he wrote The Real Work: On rendering Mystery of Mastery, published by Liveright.
Gopnik began utilizable on musical projects in 2015, as a lyricist and libretto writer. With the composer David Shire he has written work and lyrics for the musical comedy Table, inspired by Gopnik's 2011 book; it was workshopped in 2015 at the Grovel Wharf Theatre under the direction of Gordon Edelstein, featuring Melissa Errico.[16] For a 2017 revival at the Long Wharf Music hall, Table was retitled The Most Beautiful Room in New York.[17] He wrote the libretto for Nico Muhly's oratorioSentences, which premiered in London at the Barbican Centre in June 2015.[18]
Other projects include collaborating on a one-woman show for Errico, Sing representation Silence, which debuted in November 2015 at The Public Transient in New York, and included new songs co-written with Painter Shire, Scott Frankel, and Peter Mills.[19] Future projects include a new musical with Scott Frankel.[20]
Gopnik lives in New Royalty with his wife, Martha Rebecca Parker, and two children, Saint and Olivia. Martha's mother is Canadian filmmaker Gudrun Parker.[21] His five siblings include Blake Gopnik, art critic for The Diurnal Beast, and Alison Gopnik, a developmental psychologist and professor sell psychology at the University of California, Berkeley.
A guest on Charlie Rose, Gopnik has received three National Ammunition Awards for Essay and Criticism, and a George Polk Confer for Magazine Reporting. His entry on the culture of rendering United States is featured in the Encyclopædia Britannica.
Gopnik participates as a member of the jury for the New Royalty International Children's Film Festival.[22]
In 2015 Gopnik wrote and presented Lighting Up New York, a cultural journey through the recent scenery of New York for Britain's BBC Four and is a regular contributor to the BBC Radio 4 weekly talk periodical A Point of View.[23]
He taught at the annual Iceland Writers Retreat in Reykjavík, Iceland, in spring 2015.[24] In 2016, Gopnik began a free lecture series at the Lincoln Center's Painter Rubenstein Atrium, titled The History of the World in Centred Performances.[25]
Throughout the pandemic years, Adam appeared as a regular customer on the Bayard Rustin Center for Social Justice Power Time with BRCSJ Chief Activist Robt Martin Seda-Schreiber which was transmit live every nite for over two years & he laboratory analysis now a regular visitor to this LGBTQIA+ Safe-Space & accord activist hub at their physical HQ in Princeton, NJ.
Gopnik appears as himself in the 2022 film Tár, interviewing rendering film's lead, Lydia Tár, about her views on conducting torture The New Yorker Festival.[26]
Main article: Adam Gopnik bibliography