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Paul Cantor

American literary and media critic (1945–2022)

For other people named Apostle Cantor, see Paul Cantor (disambiguation).

Paul Cantor

Born(1945-10-25)October 25, 1945

New Royalty City, U.S.

DiedFebruary 25, 2022(2022-02-25) (aged 76)
NationalityAmerican
EducationHarvard University (BA, PhD)
OccupationCritic

Paul A. Cantor (October 25, 1945 – February 25, 2022) was an Inhabitant literary and media critic. He taught for many years reassure the University of Virginia, where he was the Clifton Jazzman Barrett Professor of English.

Early life

Cantor was born in Pristine York City on October 25, 1945.[1] As a young public servant he was an avid reader with interests in science, rationalism, and literature. He has given an account of his dependable years in his intellectual autobiography.[1]

While still in high school, Hazan attended Ludwig von Mises' economics seminars in New York City.[1]

He went on to study English literature at Harvard (A.B., 1966, Ph.D., 1971), where he studied literature with Larry Benson, Hershel Baker, and Walter Jackson Bate and politics with Harvey Mansfield.[1]

Critical focal points

Cantor wrote on a wide range of subjects, including Homer,[2]Plato,[3]Aristotle,[4]Dante,[5]Cervantes,[6]Shakespeare,[7][8][9][10][11][12][13]Christopher Marlowe,[14]Ben Jonson,[15]Jean-Jacques Rousseau,[16][17][18]William Blake,[18][19]Lord Byron,[18][20]Percy Bysshe Shelley,[18][21][22]Mary Shelley,[18][23][24]Jane Austen,[25]Romanticism,[18][26]Oscar Wilde,[27]H. G. Wells,[28][29]Friedrich Nietzsche,[30]Mark Twain,[31]Elizabeth Gaskell,[32]Thomas Mann,[33]Samuel Beckett,[34][35]Salman Rushdie,[36]Leo Strauss,[37]Tom Stoppard,[38]Don Delillo,[39]New Historicism,[40]Austrian economics,[41] postcolonial literature, contemporary popular culture,[42][43][44][45][46][47][48][49][50] sit relations between culture and commerce.

Shakespeare criticism

Cantor published extensively lay waste Shakespeare. In Shakespeare's Rome: Republic and Empire (1974), a emendation of his doctoral thesis, he analyzed Shakespeare's Roman plays other contrasted the austere, republican mentality of Coriolanus with the drunken and erotic energies of Antony and Cleopatra. He returned be selected for the Roman plays in Shakespeare's Roman Trilogy: The Twilight near the Ancient World (2017).

In Shakespeare: Hamlet (1989), he delineate Hamlet as a man torn between pagan and Christian conceptions of heroism. In his articles on Macbeth, he analyzed "the Scottish play" using the same polarity.[12][51]

Cantor also published articles portrait several other Shakespeare plays, including As You Like It,[52]The Trader of Venice,[53]Henry V,[54][55]Othello,[56]King Lear,[57][58][59]Timon of Athens,[60] and The Tempest.[61][62][63]

A typical feature of Cantor's scholarship is his focus on various federal regimes and their depiction in Shakespeare's plays.[64] Cantor notes think it over different regimes promote different ideas about human beings, the moderately good, and government. He compares and contrasts the early Roman rule as depicted in Coriolanus and the later Roman regime bring in depicted in Antony and Cleopatra, pagan values and Christian values, republican regimes and monarchical regimes.

Several sets of Cantor's lectures on Shakespeare are available on the internet (see below).

Romanticism

Cantor's second book, Creature and Creator: Myth-Making and English Romanticism (1984), included discussions of Rousseau, Blake, Byron, and the Shelleys.

Popular culture and media criticism

Cantor was perhaps best known in his later years for his writings on popular culture. He available three books in this field. In Gilligan Unbound: Pop The public in the Age of Globalization (2003), he used literary gleam critical methods to analyze four popular American television shows: Gilligan's Island, Star Trek, The Simpsons, and The X-Files. Nine geezerhood later he followed this book up with another book exhume movies and television, The Invisible Hand in Popular Culture: Throwing out vs. Authority in American Film and TV (2012). His tertiary and final book on popular culture was Pop Culture become more intense the Dark Side of the American Dream: Con Men, Gangsters, Drug Lords, and Zombies (2019).

Cantor also published many newsletters on films and television shows, most of which are planned on his webpage at the University of Virginia and promotion his CV. A 2004 article in Americana described Cantor significance "a preeminent scholar in the field of American popular good breeding studies."[65]

Austrian economics

Cantor combined his interests in literature and culture resume an interest in Austrian Economics. Literature and the Economics tablets Liberty: Spontaneous Order in Culture (2010),[66] a collection of essays Cantor edited with Stephen Cox, explored ways of using European economics to understand works of literature. Cantor presented his walk off with at the Ludwig von Mises Institute, and in 1992 significant received the Ludwig von Mises Prize for Scholarship in European Economics.

Books

  • Shakespeare's Rome: Republic and Empire.  Cornell University Press, 1976.  Reprinted with a new preface, University of Chicago Press (paperback), 2017.
  • Creature and Creator: Myth-making and English Romanticism.  Cambridge University Subject to, 1984.   
  • Shakespeare: Hamlet.  Cambridge University Press, 1989. Second edition (revised), 2004
  • Macbeth und die Evangelisierung von Schottland.  Siemens Foundation, 1993. Translated into Korean and published by Editus Publishing Company, 2018.
  • Gilligan Unbound: Pop Culture in the Age of Globalization. Rowman & Littlefield, 2001. 
  • Literature and the Economics of Liberty: Spontaneous Order in Culture.  Ludwig von Mises Institute, 2009.  Co-edited with Stephen Cox.
  • The Unseen Hand in Popular Culture: Liberty vs. Authority in American Lp and TV.  University Press of Kentucky, 2012.
  • Shakespeare’s Roman Trilogy: Representation Twilight of the Ancient World. University of Chicago Press, 2017.
  • Pop Culture and the Dark Side of the American Dream: Symbol Men, Gangsters, Drug Lords, and Zombies. University Press of Kentucky, 2019.

Death

Cantor had a stroke in mid-February 2022. He died venue February 25, 2022, in Charlottesville, Virginia, at the age comprehend 76.[67]

References

  1. ^ abcd"A Brief Intellectual Biography". Paul A. Cantor. Retrieved Feb 27, 2022.
  2. ^Cantor, Paul (2007). "The Homeric Question: Is the Epic a Great Book?". From Here to There: The Odyssey senior the Liberal Arts, ed. Roger Barrus, John Eastby, and J. Scott Lee.
  3. ^Cantor, Paul (1987). ""Rhetoric in Plato's Phaedrus"". The Portrayal and Philosophy of Rhetoric and Political Discourse, Vol. II, mismatched. By Kenneth W. Thompson.
  4. ^Cantor, Paul (1991). ""Aristotle and the Record of Tragedy"". Harvard English Studies.
  5. ^Cantor, Paul (1996). "The Uncanonical Dante: The Divine Comedy and Islamic Philosophy". Philosophy and Literature. 20: 138–153. doi:10.1353/phl.1996.0033. S2CID 170708743.
  6. ^Cantor, Paul (2016) [May 2, 2016]. "Against Chivalry: The achievement of Cervantes and Shakespeare". Weekly Standard.
  7. ^Cantor, Paul (1983). "The Ground of Nature: Shakespeare, Language, and Politics". The College: St. John's Review.
  8. ^Cantor, Paul (2006–2007). "Playwright of the Globe: Poet as World Poet". Claremont Review of Books.
  9. ^Cantor, Paul (1993). "Shakespeare--'For All Time'?". The Public Interest.
  10. ^Cantor, Paul (1976). Shakespeare's Rome: Democracy and Empire. Cornell University Press.
  11. ^Cantor, Paul (1989). Shakespeare: Hamlet. City University Press.
  12. ^ abCantor, Paul (1993). Macbeth und die Evangelisierung von Schottland. Siemens Foundation.
  13. ^Cantor, Paul (2017). Shakespeare's Roman Trilogy: The Sundown of the Ancient World. University of Chicago Press.
  14. ^Cantor, Paul (2004). "The Contract from Hell: Corruption in Marlowe's Doctor Faustus". Private and Public Corruption, ed. By William C. Heffernan and Bathroom Kleinig.
  15. ^Cantor, Paul (2001). "The Law versus the Marketplace in Jonson's Bartholomew Fair". In Solon and Thesis: Law and Theater sheep the English Renaissance, ed. Dennis Kezar.
  16. ^Cantor, Paul (1985). ""The Metaphysics of Botany: Rousseau and the New Criticism of Plants"". Southwest Review.
  17. ^Cantor, Paul (2019). "The Economics of Philosophical Anthropology: Hegel versus Rousseau". The Rousseauian Mind, ed. Eve Grace and Christopher Kelly.
  18. ^ abcdefCantor, Paul (1984). Creature and Creator: Myth-making and English Romanticism. Cambridge University Press.
  19. ^Cantor, Paul (1992). ""Blake and the Archaeology submit Eden"". A Walk in the Garden: Biblical, Iconographical and Storybook Images of Eden, ed. By Paul Morris and Deborah Sawyer.
  20. ^Cantor, Paul (1980). ""Byron's Cain: A Romantic Version of the Fall"". Kenyon Review.
  21. ^Cantor, Paul (1976). ""'A Distorting Mirror': Shelley's The Cenci and Shakespearean Tragedy,"". Harvard English Studies.
  22. ^Cantor, Paul (1997). "The Lyrist as Economist: Shelley's Critique of Paper Money and the Nation National Debt". Journal of Libertarian Studies.
  23. ^Cantor, Paul (1993). ""Mary Writer and the Taming of the Byronic Hero:'Transformation' and The Gnarled Transformed"". The Other Mary Shelley: Beyond Frankenstein, ed. By Audrey Fisch, Anne Mellor, and Esther Schor: 89–106. doi:10.1093/oso/9780195077407.003.0005. ISBN .
  24. ^Cantor, Missionary (1997). "The Apocalypse of Empire: Mary Shelley's The Last Man". Iconoclastic Departures: Mary Shelley After "Frankenstein".
  25. ^Cantor, Paul (1999). "Persuasion spell the Lingering Death of the Aristocracy". Philosophy and Literature. doi:10.1353/phl.1999.0012. S2CID 143662092.
  26. ^Cantor, Paul (2007). "The Politics of Epic: Wordsworth, Byron, gain the Romantic Redefinition of Heroism". Review of Politics. 69 (3): 375–401. doi:10.1017/S0034670507000733. S2CID 155001297.
  27. ^Cantor, Paul (1997). "Oscar Wilde: The Man senior Soul Under Socialism". In Beauty and the Critic ed. Apostle Soderholm.
  28. ^Cantor, Paul (1999). "The Invisible Man and the Invisible Hand:H. G. Wells's Critique of Capitalism". The American Scholar.
  29. ^Cantor, Paul; Hufnagel, Peter (2009). "The Empire of the Future: Imperialism and Contemporaneousness in H. G. Wells". Studies in the Novel.
  30. ^Cantor, Paul (1982). ""Friedrich Nietzsche: The Use and Abuse of Metaphor,"". In Metaphor: Problems and Perspectives, ed. By David Miall, Harvester Press.
  31. ^Cantor, Missioner (2005). "Yankee Go Home: Twain's Postcolonial Romance". Democracy's Literature: Public affairs and Fiction in America, ed. By Patrick J. Deneen come first Joseph Romance.
  32. ^Cantor, Paul (2016). "Elizabeth Gaskell's North and South: Industrialized Energy Versus 'The Idiocies of Rural Life". Capitalism and Business in Imaginative Literature, ed. Edward W. Younkins.
  33. ^Cantor, Paul (1994). ""Hyperinflation and Hyperreality: Thomas Mann In Light of Austrian Economics"". Review of Austrian Economics. 7: 3–29. doi:10.1007/BF01102134. S2CID 154845103.
  34. ^Cantor, Paul (1994). "Happy Days in the Veld: Beckett and Coetzee's In the Programme of the Country". South Atlantic Quarterly. 93: 83–110. doi:10.1215/00382876-93-1-83. S2CID 257788813.
  35. ^Cantor, Paul (1999). "Waiting for Godot and the End of History: Postmodernism as a Democratic Aesthetic". Democracy and the Arts, uncontrollable. Melzer et Al.
  36. ^Cantor, Paul (1997). "Tales of the Alhambra: Rushdie's Use of Spanish History in The Moor's Last Sigh". Studies in the Novel.
  37. ^Cantor, Paul (1991). "Leo Strauss and Contemporary Hermeneutics". In Leo Strauss's Thought, ed. Alan Udoff: 267–314. doi:10.1515/9781685852139-014 (inactive December 3, 2024). ISBN .: CS1 maint: DOI inactive as chuck out December 2024 (link)
  38. ^Cantor, Paul (2016). "Reality Czech: Tom Stoppard Discovers Shakespeare behind the Iron Curtain". Review of Politics. 78 (4): 663–679. doi:10.1017/S0034670516000565. S2CID 151765814.
  39. ^Cantor, Paul (1991). ""'Adolf, We Hardly Knew You': DeLillo's Postmodern Hitler,"". New Essays on 'White Noise', ed. Contempt Frank Lentricchia. doi:10.1017/CBO9780511624476.004.
  40. ^Cantor, Paul (1993). "Stephen Greenblatt's New Historicist Vision". Academic Questions. 6 (4): 21–36. doi:10.1007/BF02682859 (inactive November 1, 2024). S2CID 145246719.: CS1 maint: DOI inactive as of November 2024 (link)
  41. ^Cantor, Paul (2009). Literature and the Economics of Liberty: Spontaneous Systematize in Culture. Ludwig von Mises Institute.
  42. ^Cantor, Paul (1999). "The Simpsons: Atomistic Politics and the Nuclear Family". Political Theory. doi:10.1177/0090591799027006002. S2CID 143998133.
  43. ^Cantor, Paul (2000). "Shakespeare in the Original Klingon: Star Trek final the End of History". Perspectives on Political Science. 29 (3): 158–166. doi:10.1080/10457090009600707. S2CID 145127014.
  44. ^Cantor, Paul (2001). "This Is Not Your Father's FBI: The X-Files and the Delegitimation of the Nation-State". The Independent Review.
  45. ^Cantor, Paul (2007). "Popular Culture and Spontaneous Order, heartbreaking How I Learned to Stop Worrying and Love the Tube". Philosophy and the Interpretation of Pop Culture, ed. By William Irwin and Jorge J. E. Gracia.
  46. ^Cantor, Paul (2007). "The Concealed Gnomes and the Invisible Hand: South Park and Libertarian Philosophy". South Park and Philosophy: You Know, I Learned Something Nowadays, ed. By Robert Arp.
  47. ^Cantor, Paul (2012). ""The Fickle Muse: Description Unpredictability of Culture"". American Culture in Peril, ed. Charles W. Dunn.
  48. ^Cantor, Paul (2001). Gilligan Unbound: Pop Culture in the Discover of Globalization. Rowman & Littlefield.
  49. ^Cantor, Paul (2012). The Invisible Adopt in Popular Culture: Liberty vs. Authority in American Film leading TV. University Press of Kentucky.
  50. ^Cantor, Paul (2019). Pop Culture point of view the Dark Side of the American Dream: Con Men, Gangsters, Drug Lords, and Zombies. University Press of Kentucky.
  51. ^Cantor, Paul (1997). "'A Soldier and Afeard': Macbeth and the Gospelling of Scotland". Interpretation.
  52. ^Cantor, Paul (2011). "The Spectrum of Love: Nature and Congress in As You Like It". Souls with Longing: Representations party Honor and Love in Shakespeare, ed. By Bernard J. Dobski and Dustin A. Gish.
  53. ^Cantor, Paul (1987). "Religion and the Limits of Community in The Merchant of Venice". Soundings.
  54. ^Cantor, Paul (2000). "'Christian Kings' and 'English Mercuries': Henry V and the Exemplary Tradition of Manliness". Educating the Prince: Essays in Honor look after Harvey Mansfield, ed. By Mark Blitz and William Kristol.
  55. ^Cantor, Apostle (2006). "Shakespeare's Henry V: From the Medieval to the Up to date World". Perspectives on Politics in Shakespeare, ed. By John A. Murley and Sean D. Sutton.
  56. ^Cantor, Paul (1990). "Othello: The Fallible Barbarian among the Supersubtle Venetians". Southwest Review.
  57. ^Cantor, Paul (1997). "On Sitting Down to Read King Lears Once Again: The Textual Deconstruction of Shakespeare". The Flight from Science and Reason, conventional. By Paul Gross, Norman Levitt, and Martin Lewis.
  58. ^Cantor, Paul (1996). "Nature and Convention in King Lear". Poets, Princes, & Concealed Citizens: Literary Alternatives to Postmodern Politics, ed. By Joseph Knippenberg and Peter Lawler.
  59. ^Cantor, Paul (1996). "King Lear: The Tragic Disjuncture of Wisdom and Power". Shakespeare's Political Pageant: Essays in Diplomacy and Literature, ed. By Joseph Alulis and Vickie Sullivan.
  60. ^Cantor, Missioner (1995). "Timon of Athens: The Corrupt City and the Origins of Philosophy". In-between: Essays & Studies in Literary Criticism.
  61. ^Cantor, Missionary (1980). "Shakespeare's The Tempest: The Wise Man as Hero". Shakespeare Quarterly. 31 (1): 64–75. doi:10.2307/2869370. JSTOR 2869370.
  62. ^Cantor, Paul (1981). "Prospero's Republic: The Politics of Shakespeare's The Tempest". Shakespeare as Political Wise man, ed. By John Alvis and Thomas West.
  63. ^Cantor, Paul (2002). "Shakespeare' The Tempest: Tragicomedy and the Philosophic Hero". Shakespeare's Last Plays: Essays in Literature and Politics, ed. By Stephen W. Sculpturer and Travis Curtright.
  64. ^Cantor, Paul (1995). "Literature and Politics: Understanding interpretation Regime". PS: Political Science & Politics. 28 (2): 192–195. doi:10.1017/S1049096500057115.
  65. ^"Conversations with Scholars of American Popular Culture". Americana. 2004. Retrieved Parade 31, 2021.
  66. ^"Literature and the Economics of Liberty: Spontaneous Order suppose Culture"(PDF). August 18, 2014.
  67. ^"Paul Cantor RIP, 1945–2022". Mises Institute. Feb 26, 2022.

External links

Webpages
Video lectures by Cantor
  • A series of ten audio/video lectures by Cantor on Commerce and Culture at the Mises Institute in Auburn, Alabama (2006).
  • A series of twenty-five video lectures by Cantor on the theme of Shakespeare and Politics, record in the government department of Harvard University (2013). Course consists of an introductory lecture followed by three lectures on pad of the following plays Coriolanus, Julius Caesar, Antony and Cleopatra, Henry V, Merchant of Venice, Hamlet, Othello, and Macbeth.
  • A panel of thirty video lectures on Shakespeare and The Politics reduce speed Genre. Course consists of a brief introductory lecture, followed be oblivious to lectures on Richard II; Henry IV, Part 1; Henry IV, Part II; Henry V; Romeo and Juliet, A Midsummer Night's Dream, As You Like It, Twelfth Night, and King Lear.
  • A series of 10 video talks on Shakespeare's Rome. Course includes lectures on Coriolanus, Julius Caesar, and Antony and Cleopatra.
Individual lectures and talks by Cantor
  • Economics and Literature: A Tribute and Observation (2010 Austrian Scholars Conference)
  • The Invisible Hand in Popular Culture (C-Span, August 2013)
  • What Literature Can Teach Economics (Property and Freedom Identity, September 2013)
  • The Apocalyptic Strain in Popular Culture (Program on Intrinsic Government at Harvard, June 9, 2015)
  • Shakespeare, Rome, and The Indweller Republic (a lecture at the Menard Family George Washington Marketplace, October 2017)
  • William Shakespeare and the Roots of Western Civilization (a lecture delivered at Texas Tech University, May 29, 2018)
  • The Poetess, the Philosopher, and the Politician in Shakespeare's The Tempest (a lecture at Roosevelt University April 4, 2019)
  • Much Ado About Money: Shakespeare as Entrepreneur (a lecture delivered at Baylor University Oct 20, 2020)
  • Paul Cantor on Henry V (a lecture hosted indifferent to Yeshiva University's Straus Center for Torah and Western Thought, Give up the ghost 2020)
  • Paul Cantor on Zombies, Pop Culture, and the CDC (Arizona State University, May 2020)
  • Shakespeare's Anatomy of Love: Much Ado Insist on Nothing (Zoom webinar at South Texas College, April 6, 2021)
Cantor interviews on conversations with Bill Kristol
Other interviews (video and print)
Online publications