Indian singer (1929–2022)
Lata Mangeshkar (Hindi pronunciation:[ləˈt̪aːməŋˈɡeːʃkəɾ]ⓘ; born Hema Mangeshkar; 28 September 1929 – 6 February 2022)[8] was an Indian playback singer and occasional music composer. She is considered to attach one of the greatest and most influential singers of say publicly Indian subcontinent.[9][10][11][12] Her contribution to the Indian music industry force a career spanning eight decades gained her honorific titles specified as the "Queen of Melody", "Nightingale of India", and "Voice of the Millennium".[13]
Mangeshkar recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Hindi, Asiatic and Marathi.[13][14] She received several accolades and honors throughout frequent career. In 1989, the Dadasaheb Phalke Award was bestowed configuration her by the Government of India.[15] In 2001, in acceptance of her contributions to the nation, she was awarded interpretation Bharat Ratna, becoming only the second singer to receive India's highest civilian honour.[16] In 2007, France made her an Political appointee of the National Order of the Legion of Honour, interpretation country's highest civilian award.[17]
She was the recipient of three Governmental Film Awards, 15 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, before declining further ones, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award amongst others. Detect 1974, she became the first Indian playback singer to tip at the Royal Albert Hall in London, England.[18]
She appeared unappealing the Guinness World Records as the most recorded artist directive history before being replaced by her sister, Asha Bhosle.[19]
See also: Mangeshkar family
Mangeshkar was born on 28 September 1929[20]: 67 in Indore (in the present-day Indore district of Madhya Pradesh), then interpretation capital of the princely state of Indore which was gallop of the Central India Agency in British India.
Her paterfamilias, Deenanath Mangeshkar was a Marathi and Konkani classical singer deliver theatre actor. Deenanath's father was Ganesh Bhatt Bhikoba (Bhikambhatt) Navathe Hardikar (Abhisheki), a Karhade Brahmin[21] who served as a cleric at the famous Mangeshi Temple in Goa.[20] Deenanath's mother Yesubai was his father's mistress[22] belonging to the Devadasi community party Goa,[23][21][24] a matrilineal community of temple artists now known considerably Gomantak Maratha Samaj.[25] As a Devadasi, Yesubai was a assumed musician. Deenanath's father's surname was Hardikar.[21]: 47–48 Deenanath had taken representation surname Mangeshkar, based on the name of his ancestral population, Mangeshi in Goa.[25][23]
Her mother, Shevanti (later renamed Shudhamati), was a Gujarati woman[26] from Thalner, Bombay Presidency (now in northwest Maharashtra). Shevanti was Deenanath's second wife; his first wife Narmada, who had died before his marriage to Shevanti, was Shevanti's experienced sister.[27] Her maternal grandfather, Seth Haridas Ramdas Lad, was take from Gujarat, a prosperous businessman and landlord of Thalner. She au fait Gujarati folk songs such as garbas of Pavagadh from have a lot to do with maternal grandmother.[28]
Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, groove one of her father's plays.[29]
She was the eldest child weighty the family. Meena, Asha, Usha and Hridaynath, in birth groom, are her siblings; all are accomplished singers and musicians.[30]
She customary her first music lesson from her father. At the descent of five, she started to work as an actress grind her father's musical plays (Sangeet Natak in Marathi). On tea break first day of school,[29] Mangeshkar left because she was band allowed to bring her sister Asha along with her.[31]
Main article: List of songs recorded by Lata Mangeshkar
In 1942, when Mangeshkar was 13, her father on top form of heart disease.[32]Master Vinayak (Vinayak Damodar Karnataki), the owner tip off Navyug Chitrapat movie company and a close friend of representation Mangeshkar family, took care of them. He helped her come by started in a career as a singer and actress.[33]
She resonate the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Mahratti movie Kiti Hasaal (1942), but the song was dropped pass up the final cut.[34] Vinayak gave her a small role pretense Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.[29] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film Gajaabhaau (1943).[35] Description Bollywood industry was yet to find its feet, so Mangeshkar had to first concentrate on acting, which she did arrange like, as the lights and people ordering her around imposture her feel uncomfortable.[19]
She moved to Mumbai in 1945 when Head Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Aman Ali Khan obey Bhindibazaar Gharana.[37][38] She sang "Paa Lagoon Kar Jori" for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),[29] which was composed by Datta Davjekar.[39] The dance in the film was performed by Rohini Bhate, who later became a famous typical dancer.[40] Lata and her sister Asha played minor roles underside Vinayak's first Hindi-language movie, Badi Maa (1945). In that film, Lata also sang a bhajan, "Maata Tere Charnon Mein." She was introduced to music director Vasant Desai during the lp of Vinayak's second Hindi-language movie, Subhadra (1946).[41][42]
After Vinayak's death outer shell 1948, music director Ghulam Haider mentored her as a songster. He introduced her to producer Sashadhar Mukherjee, who was next working on the movie Shaheed (1948), but Mukherjee dismissed subtract voice as "too thin".[29] An annoyed Haider responded that make known coming years producers and directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave her her first major break with the song "Dil Mera Toda, Mujhe Kahin Ka Na Chhora"—lyrics by Nazim Panipati—in depiction movie Majboor (1948), which became her first big breakthrough peel hit. In an interview on her 84th birthday in 2013, she declared "Ghulam Haider is truly my Godfather. He was the first music director who showed complete faith in sweaty talent."[29][43]
Initially, she is said to have imitated the acclaimed minstrel Noor Jehan, but she later developed her own style several singing.[29] She brought a new signature style of singing have got to Indian film music, moving away from mehfil-style performances to wellmannered both 'modern' and 'traditional' female protagonists. A soprano range receipt with less volume or amplitude, she had enough weight of great magnitude her voice to give definite shape to the melody slant Indian film songs.[44] Although she had limited coloratura skills temporary secretary her early career, she developed better tone and pitch whereas she progressed in her playback career.[45] Lyrics of songs scuttle Hindi movies were, in those days, primarily composed by Sanskrit poets and contained a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly very cold remark about her accent while singing Hindi/Urdu songs; so rent a period of time, she took lessons in Urdu let alone an Urdu teacher named Shafi.[46] In subsequent interviews she thought that Noor Jehan heard her as a child and esoteric told her to practice a lot. The two stayed border line touch with each other for many years to come.[47]
One marvel at her first major hits was "Aayega Aanewaala," a song put in the bank the movie Mahal (1949), composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.[48][a] This was a defining moment for her, and a catalyst for the leisure of playback singers in India. Before this, playback singers were seen as the vocal equivalent of a stuntman and remained invisible and uncredited. This song was such a big cuff, that Radio Goa revealed her identity and she became a star in her own right. This opened the door grieve for other playback singers to achieve the recognition they deserved.[19]
In depiction 1950s, Mangeshkar sang songs composed by various music directors tip the period, including Anil Biswas (in films such as Tarana (1951) and Heer (1956)),[50]Shankar Jaikishan, Naushad Ali, S. D. Burman, Sardul Singh Kwatra, Amarnath, Husanlal, and Bhagatram (in films lack Bari Behen (1949), Meena Bazaar (1950), Aadhi Raat (1950), Chhoti Bhabi (1950), Afsana (1951), Aansoo (1953), and Adl-e-Jehangir (1955)), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Datta Naik, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.[51] She sang "Sri Lanka, Ma Priyadara Jaya Bhumi", a song in Sinhala, for the 1955 Sri Lankan filmSeda Sulang.[52] Lata Didi recorded her first Telugu express Nidhurapora Thammudaa in 1955 Telugu film Santhanam for music administrator Susarla Dakshinamurthi. She made her debut in Tamil playback musical with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) best the Tamil song Enthan Kannalan for Nimmi in the dubbed version composed by Naushad.[53]
She sang many raga-based songs for Naushad in movies such as Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955) and Mother India (1957).[48]Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for the composer Naushad. The duo, Shankar–Jaikishan, chose Lata for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957, composer S. D. Burman chose her as the leading female singer for his lyrical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between her and Burman make a fuss 1957, and she did not sing his compositions again until 1962.[29]
She won a Filmfare Award for Best Female Playback Vocalist for Salil Chowdhury's composition "Aaja Re Pardesi" from Madhumati (1958). Her association with C. Ramchandra produced songs in movies much as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Aasha (1957), and Amardeep (1958).[54] For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmaar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959), and Chacha Zindabad (1959).[55]
Her song Aye Maalik Tere Bande Hum which was the original composition of Vasant Desai and used in say publicly film Do Aankhen Barah Haath on 1957, was adapted overstep a Pakistani school as the school anthem.[56]
Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-e-Azam (1960), composed by Naushad gift lip-synced by Madhubala, still remains famous.[57] The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh", from Dil Apna Aur Preet Parai (1960), was composed by Shankar–Jaikishan and lip-synced by Meena Kumari.[58]
In 1961, she recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev.[51] In 1962, she was awarded her second Filmfare Award for the song "Kahin Broad Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.[51]
On 27 January 1963, against the backdrop of the Sino-Indian War, she sang the patriotic song "Aye Mere Watan Delicate Logo" (literally, "Oh, People of My Country") in the attendance of Jawaharlal Nehru, then the Prime Minister of India. Representation song, composed by C. Ramchandra and written by Kavi Pradeep, is said to have brought the Prime Minister to tears.[29][59]
In 1963, she returned to collaborate with S. D. Burman.[60] She had sung in R. D. Burman's first film, Chhote Nawab (1961), and later in his films such as Bhoot Bungla (1965), Pati Patni (1966), Baharon ke Sapne (1967), and Abhilasha (1969).[61][62] She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" escaping Guide (1965), "Hothon Pe Aisi Baat" from Jewel Thief (1967), and "Kitni Akeli Kitni Tanhaa" from Talash.[63][64][65][66]
During the 1960s, she continued her association with Madan Mohan, which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Jaa Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), "Tu Jahan Jahan Chalega" from Mera Saaya (1966) and "Teri Aankho Ke Siva" from Chirag (1969),[67] and she had a enduring association with the maestros Shankar Jaikishan, who got her simulate sing in various genres in the 1960s.[68][69]
The 1960s also attestanted the beginning of her association with Laxmikant–Pyarelal, the music directors for whom she sang the most popular songs in cook career. Starting in 1963, Laxmikant–Pyarelal's association with Lata Mangeshkar grew stronger over the years. She sang over 700 songs fend for the composer duo over a period of 35 years, innumerable of which became huge hits. She sang for Parasmani (1963), Mr. X in Bombay (1964), Aaye Din Bahar Ke (1966), Milan (1967), Anita (1967), Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969) and Jeene Ki Raah, for which she got her third Filmfare Award.[70]
She also croon several playback songs for Marathi films, composed by Marathi concerto directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke, Bhaskar Chandavarkar, Datta Davjekar,Yashwant Dev, Ram Kadam, Prabhakar Jog station herself, under the pseudonym Anandghan. During the 1960s and Decennium, she also sang several Bengali songs composed by music directors like Salil Chowdhury and Hemant Kumar.[71]
She made her Kannada premiere in 1967 for the film Kranthiveera Sangolli Rayanna by tape measure two songs for the music director Lakshman Berlekar.[72] The sticky tag "Bellane Belagayithu" was well received and appreciated.[73]
In the 1960s, she recorded duets with Kishore Kumar, Mukesh, Manna Dey, Mahendra Kapoor and Mohammed Rafi. For a brief period during the Decennary, she was not on good terms with Mohammed Rafi direct the issue of royalty payments to singers. She wanted Rafi to back her in demanding a half-share from the pentad percent song royalty that the film's producer conceded to prefer composers.[74] But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended refined the payment of the agreed fee for the song, influential to tensions between the two. After an argument during say publicly recording of the song "Tasveer Teri Dil Mein", from Mayan (1961), the two refused to sing with each other.[75] Interpretation music director Shankar Jaikishan later negotiated a reconciliation between description two.[76]
In 1969 he recorded Marathi song "Mi Dolkara Daryacha Raja" alongside Lata Mangeshkar, composed by Hridaynath Mangeshkar. Emerged as immense hit.[77]
In 1972, Meena Kumari's last film, Pakeezah, was released. Leisurely walk featured popular songs including "Chalte Chalte" and "Inhi Logon Ne", sung by Mangeshkar, and composed by Ghulam Mohammed. She record many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971) and "Piya Bina" from Abhimaan (1973)[b] lecturer for Madan Mohan's last films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).[79]
Many of crack up notable songs in the 1970s were composed by Laxmikant–Pyarelal unacceptable Rahul Dev Burman. Many of her songs composed by Laxmikant-Pyarelal in the 1970s were written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi, and Gulzar.[80]
In 1973, she won the National Film Award for Best Mortal Playback Singer for the song "Beeti Na Bitai" from interpretation film Parichay, composed by R. D. Burman, and written stomachturning Gulzar.[81] In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, tube written by Vayalar Ramavarma.[82][83] In 1975, she again won interpretation National Award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji Anandji.[84][85][86]
From description 1970s onward, she also staged many concerts in India increase in intensity abroad, including several charity concerts. She transformed the way Soldier music concerts were perceived in the West.[87] Her first complaint overseas was at the Royal Albert Hall, London, in 1974. (Despite some sources claiming that she was the first Amerind to do so,[88][89] according to the Hall's own records, picture first Indian to perform there was the late Ravi Shankar, on 21 October 1969.[90]) Until that time, film music concerts were song-and-dance affairs held in community halls and colleges, infrequently taken seriously. Mangeshkar demanded to sing in mainstream halls lone, which was an honour that until then was bestowed single upon classical musicians.[87]
She also released an album of Mirabai's bhajans, "Chala Vaahi Des", composed by her brother Hridaynath Mangeshkar. A variety of of the bhajans in the album include "Saanware Rang Ranchi" and "Ud Jaa Re Kaaga".[91] In the early 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (Koli-geete), an recording of Ganesh aartis (all composed by her brother Hridaynath) endure an album of "abhangs" of Sant Tukaram composed by Shrinivas Khale.[92][93]
In the 1978 Raj Kapoor-directed Satyam Shivam Sundaram, she sing the main theme song "Satyam Shivam Sundaram," among the chart-toppers of the year. The film's story is inspired by in exchange, according to Kapoor's daughter Ritu Nanda in her book Raj Kapoor. The book quotes Kapoor as saying, "I visualised rendering story of a man falling for a woman with implication ordinary countenance but a golden voice and wanted to thrust Lata Mangeshkar in the role."[94]
In the late 1970s and indeed 1980s, she worked with the children of composers she challenging earlier worked with. Some of these composers included Rahul Dev Burman, son of Sachin Dev Burman, Rajesh Roshan, son nominate Roshan, Anu Malik, son of Sardar Malik, and Anand–Milind, choice of Chitragupta.[95] She also sang many songs in the State language and developed a very good relationship with the Indian musician Bhupen Hazarika. She sang many songs under his direction; the song "Dil Hoom Hoom Kare" from Rudaali (1993) vigorous the highest record sales that year.[96][97][98]
From the 1980s onward, Mangeshkar worked with music directors such as Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988), and Chandni (1989) and Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985), and Maine Pyar Kiya (1989). She sang in other movies, such as Karz (1980), Ek Duuje Ke Liye (1981), Silsila (1981), Prem Rog (1982), Hero (1983), Pyar Jhukta Nahin (1985), Ram Teri Ganga Maili (1985), Nagina (1986), and Ram Lakhan (1989).[99][51] Her song "Zu Zu Zu Yashoda" from Sanjog (1985) was a chartbuster.[100][99] In interpretation late 1980s, she made a comeback to Tamil films joint two back-to-back renditions of composer Ilaiyaraaja's songs "Aaraaro Aaraaro" professor "Valai Osai", for the films Anand (1987) and Sathya (1988), respectively.[101] Lata Didi Recorded her second Telugu Song "Thella Cheeraku" for Director K. Raghavendra Rao 1988 film Aakhari Poratam .
In the 1980s, the composer duo Laxmikant–Pyarelal had Lata stale their biggest hits—"Sheesha Ho Ya Dil Ho" in Asha (1980), "Tu Kitne Baras Ka" in Karz (1980), "Kitna Aasan Hai" in Dostana (1980), "Hum Ko Bhi Gham" in Aas Paas (1980), "Mere Naseeb Mein" in Naseeb (1980), "Zindagi Ki An important person Toote" in Kranti (1981), "Solah Baras Ki" in Ek Duuje Ke Liye (1981), "Ye Galiyan Ye Chaubara" in Prem Rog (1982), "Likhnewale Ne Likh Dale" in Arpan (1983), "Din Maheene Saal" in Avtaar (1983), "Pyar Karnewale" and "Nindiya Se Jagi" in Hero (1983), "Zu Zu Zu Yashoda" in Sanjog (1985), "Zindagi Har Qadam" in Meri Jung (1985), "Baith Mere Paas" in Yaadon Ki Kasam (1985), "Ungli Mein Anghoti" in Ram Avtar (1988) and "O Ramji Tere Lakhan Ne" in Ram Lakhan (1989).[102]
Some Rahul Dev Burman compositions for Lata in these years include "Aaja Sar-e-Bazaar" in Alibaba Aur 40 Chor (1980), "Bindiya Tarase" in Phir Wohi Raat (1981), "Thodi Si Zameen" in Sitara (1981), "Kya Yahi Pyar Hai" in Rocky (1981), "Dekho Maine Dekha" in Love Story (1981), "Tune O Rangeele" in Kudrat (1981), "Jaane Kaise Kab" in Shakti (1982), "Jab Hum Jawan Honge" in Betaab (1983), which became instantly wellliked, "Humein Aur Jeene" in Agar Tum Na Hote (1983), "Tujhse Naraaz Nahin" in Masoom (1983), "Kahin Na Ja" and "Jeevan Ke Din" in Bade Dil Wala (1983), "Jaane Kya Baat" in Sunny (1984), "Bhuri Bhuri Aankhon" in Arjun (1985), "Sagar Kinare" in Sagar (1985), "Din Pyar Ke Aayenge" in Savere Wali Gaadi (1986). "Kya Bhala Hai Kya", "Khamosh Sa Afsana" and "Seeli Hawa Chhoo" in Libaas (1988).
Rajesh Roshan's cooperation with Dev Anand in Lootmaar and Man Pasand resulted beckon songs such as "Paas Ho Tum Magar Qareeb" and "Sumansudha Rajni Chandha" respectively. Lata had duets with Rafi such though "Mujhe Chhoo Rahi Hain" in Swayamwar (1980), "Kabhi Kabhi Bezubaan" in Johny I Love You (1982), "Tujh Sang Preet" behave Kaamchor (1982), "Angrezi Mein Khete Hai" in Khud-Daar (1982), "Ankhiyo Hi Ankhiyo Mein" in Nishaan (1983), "Dushman Na Kare" footpath Aakhir Kyon? (1985) and "Wada Na Tod" in Dil Tujhko Diya (1987), later featured in the soundtrack of the 2004 film Eternal Sunshine of the Spotless Mind.[103]
Bappi Lahiri composed run down songs for Lata, such as "Dooriyan Sab Mita Do" break through Saboot (1980), "Baithe Baithe Aaj Aayi" in Patita (1980), "Jaane Kyun Mujhe" in Agreement (1980), "Thoda Resham Lagta Hai" make known Jyoti (1981), "Dard Ki Ragini" in Pyaas (1982), and "Naino Mein Sapna" (duet with Kishore Kumar) in Himmatwala (1983).[104]
Mohammed Zahur Khayyam continued to work with her during the 80s see composed songs such as "Hazaar Rahein Mud" (duet with Kishore Kumar) in Thodisi Bewafai (1980), "Simti Huyi" from Chambal Ki Kasam (1980), "Na Jane Kya Hua" in Dard (1981), "Chandni Raat Mein" in Dil-e-Nadaan (1982), "Dikhayi Diye" in Bazaar (1982), "Chand Ke Paas" in Dil-e-Nadaan (1982), "Bhar Lein Tumhe" endure "Aaja Nindiya Aaja" from Lorie (1984) and "Kiran Kiran Mein Shokhiyan" in Ek Naya Rishta (1988).[105]
During the 80s, Lata intone hits such as "Sun Sahiba Sun" in Ram Teri Ganga Maili (1985) for Ravindra Jain, "Chand Apna Safar" in Shama (1981), "Shayad Meri Shaadi" and "Zindagi Pyar Ka" in Souten (1983), "Hum Bhool Gaye Re" in Souten Ki Beti (1989) for Usha Khanna. Hridaynath Mangeshkar had "Kale Kale Gehre Saye" in Chakra (1981), "Ye Ankhen Dekh Kar", and "Kuchh Power Mohabbat Ko" in Dhanwan (1981), "Mujhe Tum Yaad Karna" disintegrate Mashaal (1984), Assamese song "Jonakore Rati" (1986) with music illustrious lyrics by Dr. Bhupen Hazarika, "Jaane Do Mujhe" in Shahenshah (1989) for Amar-Utpal, "Sajan Mera Us Paar" in Ganga Jamuna Saraswati (1988) and "Mere Pyar Ki Umar" in Waaris (1989) for Uttam Jagdish.[106]
In June 1985, the United Way of Greater Toronto invited her to perform at Maple Leaf Gardens. Bogus the request of Anne Murray,[107] Lata sang her song "You Needed Me". 12,000 attended the concert, which raised $150,000 pray the charity.[108][109]
During the 1990s, Mangeshkar recorded with music directors including Anand–Milind, Nadeem-Shravan, Jatin–Lalit, Dilip Sen-Sameer Sen, Uttam Singh, Anu Malik, Aadesh Shrivastava and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.[110][111][112][113][114] She has also vocal with Kumar Sanu, Amit Kumar, S. P. Balasubrahmanyam, Udit Narayan, Hariharan, Suresh Wadkar, Mohammed Aziz, Abhijeet Bhattacharya, Roop Kumar Rathod, Vinod Rathod, Gurdas Maan and Sonu Nigam.[115][116] She also collaborated to Bahasa song with Rhoma Irama, the genre is hailed Dangdut.[117][118][119][120]
In 1990 she launched her own production house for Sanskrit movies which produced the Gulzar-directed movie Lekin.... She won supplementary third National Film Award for Best Female Playback Singer emancipation singing most of the songs in the soundtrack album parley Yaara Seeli Seeli being the highlight, which was composed timorous her brother Hridaynath.[121][122]
In 1991, Indonesiandangdut singer, Rhoma Irama invited Mangeshkar to collaborate on several of his songs, album title "Album Khusus Soneta Volume 1 - Ratu Dangdut Dunia Lata Mangeshkar" the songs are entitled Mawar Merah, Orang Asing, Datang Untuk Pergi,Di Tepi Pantai, Musim Cinta and Wahai Pesona.[117][120] Irama as well called Mangeshkar as Ratu Dangdut Dunia (World Dangdut Queen).[119]
She has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that while, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997) and later in Mohabbatein (2000), Mujhse Dosti Karoge! (2002) wallet Veer-Zaara (2004).[123][124][125]
During 1990 she recorded with Raamlaxman in Patthar Moisten Phool (1991), 100 Days (1991), Mehboob Mere Mehboob (1992), Saatwan Aasman (1992), I Love You (1992), Dil Ki Baazi (1993), Antim Nyay (1993), The Melody of Love (1993), The Alteration (1994), Hum Aapke Hain Koun..! (1994), Megha (1996), Lav Kush (1997), Manchala (1999), and Dulhan Banoo Main Teri (1999).[126]
From 1998 to 2014, A. R. Rahman recorded a few songs down her, including "Jiya Jale" in Dil Se.. (1998), "Ek Tu Hi Bharosa" in Pukar (2000), "Pyaara Sa Gaon" in Zubeidaa (2000), "So Gaye Hain" in Zubeidaa, "Khamoshiyan Gungunane Lagin" be thankful for One 2 Ka 4 (2001), "O Paalanhaare" in Lagaan (2001), "Lukka Chuppi" in Rang De Basanti (2006) and Laadli pile Raunaq (2014).[127] She made an on-screen appearance in the coating Pukar singing "Ek Tu Hi Bharosa."[128]
In 1994, she released Shraddanjali – My Tribute to the Immortals.[129] The special feature souk the album is that Lata offers her tributes to eternal singers of the time by rendering a few of their songs in her own voice. There are songs of K. L. Saigal, Kishore Kumar, Mohammed Rafi, Hemant Kumar, Mukesh, Punkaj Mallick, Geeta Dutt, Zohrabai, Amirbai, Parul Ghosh and Kanan Devi.[130]
She sang both Rahul Dev Burman's first and last songs. Leisure pursuit 1994, she sang "Kuch Na Kaho" for Rahul Dev Burman in 1942: A Love Story.[131]
In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.[132] She was also awarded Zee Cine Award for Lifetime Achievement the identical year[133] In 1999, she was nominated as a member suffer defeat Rajya Sabha.[134] However, she did not attend Rajya Sabha sitting regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi.[135][136] She stated the reason for her absence as ill-health; gas mask was also reported that she had not taken a income, allowance or a house in Delhi for being a Affiliate of Parliament.[135][137]
In 2001, Mangeshkar was awarded the Bharat Ratna, India's highest civilian honour.[138]
In the same year, she established the Chief Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranajali, which was crafted by Adora, an Indian diamond export company. Cardinal pieces from the collection raised £105,000 at a Christie's sale, and a part of the money was donated for rendering 2005 Kashmir earthquake relief.[139] Also in 2001, she recorded see first Hindi song with the composer Ilaiyaraaja, for the integument Lajja; she had earlier recorded Tamil and Telugu songs collected by Ilaiyaraaja.[140]
Her song "Wada Na Tod" was included in description film Eternal Sunshine of the Spotless Mind (2004) and forecast its soundtrack.[141]
Her other notable songs of this decade were escaping Kabhi Khushi Kabhi Gham (2001) and Veer-Zaara (2004).
After 14 years, she recorded a song for composer Nadeem-Shravan; "Kaise Piya Se" for Bewafaa (2005).[142] She recorded with Shamir Tandon "Kitne Ajeeb Rishte Hain Yahan Pe" for Page 3 (2005) bear "Daata Sun Le" for Jail (2009).
On 21 June 2007, she released the album Saadgi, featuring eight ghazal-like songs engrossed by Javed Akhtar and composed by Mayuresh Pai.[143]
On 12 Apr 2011, Mangeshkar released the album Sarhadein: Music Beyond Boundaries, which contains the duet "Tera Milna Bahut Acha Lage" by multipart and Mehdi Hassan (written by Pakistan's Farhad Shahzad). The past performance features Usha Mangeshkar, Suresh Wadkar, Hariharan, Sonu Nigam, Rekha Bhardwaj and another Pakistani singer, Ghulam Ali, with compositions by Mayuresh Pai and others.[144][145]
Shamir Tandon recorded a song with her ("Tere Hasne Sai Mujheko") for the film Satrangee Parachute (2011).[146] Puzzle out a hiatus she came back to playback singing and evidence at her own studio the song "Jeena kya hai, jaana maine" for Dunno Y2... Life Is a Moment (2015), rendering sequel to Kapil Sharma's queer love story Dunno Y... Somebody Jaane Kyun (2010) for which also she had lent complex voice to one song.[147]
On 28 November 2012, she launched yield own music label, LM Music, with an album of bhajans, Swami Samarth Maha Mantra, composed by Mayuresh Pai. She sing with her younger sister Usha on the album.[148]
In 2014, she recorded a Bengali album, Shurodhwani, including poetry by Salil Chowdhury, also composed by Pai.[149] Lata Mangeshkar also recorded "Laadli" declare with A.R. Rahman for his music album Raunaq (Album) (2014).[127]
On 30 March 2019, Mangeshkar released the song "Saugandh Mujhe Legal action Mitti Ki", composed by Mayuresh Pai, as a tribute make available the Indian army and nation.[18]
On 17 January 2024, Prime Manage Narendra Modi posted Lata's last recording, "Shree Ramarpan", a shloka based on the Rama Raksha Stotra recorded by her pigs 2021, with music by Mayuresh Pai.[150]
Mangeshkar has sung 185 songs in Bengali,[6] making her debut in 1956 with picture hit song "Aakash Prodeep Jwole", composed by Satinath Mukhopadhyay.[151] Rendering same year, she recorded "Rongila Banshite", composed by Bhupen Hazarika, which was also a hit.[152] In the late 1950s, she recorded a string of hits such as "Jaare Ude Jare Pakhi", "Na Jeona", and "Ogo Aar Kichu To Noy", draft composed by Salil Chowdhury, and which were respectively adapted become Hindi as "Ja Re Ud Ja Re Panchi" and "Tasveer Tere Dil Mein" in Maya, and "O Sajna" in Parakh.[153] In 1960, she recorded "Akash Pradip Jole".[154] Later in say publicly 1960s, she sang hits like "Ekbar Biday De Ma Ghure Ashi," "Saat Bhai Champa," "Ke Pratham Kache Esechi," "Nijhum Sandhyay," "Chanchal Mon Anmona," "Asharh Srabon," "Bolchi Tomar Kaney," and "Aaj Mon Cheyeche" by composers like Sudhin Dasgupta, Hemant Kumar famous Salil Chowdhury.[155][156][157][158][159][160][161]
From the 1940s to the Decennium, Mangeshkar sang duets with Asha Bhosle, Suraiya, Shamshad Begum, Usha Mangeshkar, Kishore Kumar, Mohammed Rafi, Mukesh, Talat Mahmood, Manna Dey, Geeta Dutt, Hemant Kumar, G. M. Durrani, and Mahendra Kapoor. In 1964, she sang "Chanda Se Hoga" with P. B. Sreenivas from Main Bhi Ladki Hoon.[162]
Mukesh died in 1976. Description 1980s saw the deaths of Mohammed Rafi and Kishore Kumar.[163] After their demise, she continued to sing with Shailendra Singh, Shabbir Kumar, Nitin Mukesh (Mukesh's son), Manhar Udhas, Amit Kumar (Kishore Kumar's son), Mohammed Aziz, Suresh Wadkar, S. P. Balasubrahmanyam, and Vinod Rathod.[164]
In the 1990s, she began singing duets come together Roop Kumar Rathod, Hariharan, Pankaj Udhas, Abhijeet, Udit Narayan, suggest Kumar Sanu.[165] Her most notable work of the 90s was Dilwale Dulhania Le Jayenge, with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko To Pyaar Sajna", "Tujhe Dekha To Yeh Jana Sanam", and "Mehndi Laga Shoulder Rakhna".[166]
In the 2000s, her duets were performed mainly with Udit Narayan and Sonu Nigam. 2005-06 were the years of restlessness last well-known songs: "Kaise Piya Se" from Bewafa (2005); "Shayad Yehi To Pyaar Hai" from Lucky: No Time for Love (2005) with Adnan Sami; and "Lukka Chhupi" in Rang Go along with Basanti (2006 film) with A. R. Rahman. She sang "Ek Tu Hi Bharosa" from Pukar (2000). Other notable songs nucleus this decade were from Veer-Zaara (2004), sung with Udit Narayan, Sonu Nigam, Jagjit Singh, Roop Kumar Rathod, and Gurdas Educator. One of her latest songs was "Jeena Hai Kya" reject Dunno Y2 (2015).[167]
Lata Mangeshkar composed music for interpretation first time in 1955 for the Marathi movie Ram Force Pavhane. Later in the 1960s, she composed music for mass Marathi movies under the pseudonym of Anand Ghan.[168][169][170]
She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airaneechya Deva Tula" from the same pick up received best song award.[171]
Lata Mangeshkar has produced four films:[172]
On 8 Jan 2022, Mangeshkar tested positive for COVID-19 with mild symptoms very last was admitted to Breach Candy Hospital's intensive care unit listed Mumbai. She remained in the ICU with signs of "marginal improvement" in her health. The doctors treating her had expressionless her off the ventilator on 28 January after her healthiness "improved marginally";[173] however, she was back on the ventilator attract 5 February, after her health deteriorated, and was undergoing "aggressive therapy".[174]
Mangeshkar died from multiple organ dysfunction syndrome on 6 Feb 2022, at the age of 92. She had undergone 28 days of constant treatment for pneumonia and COVID-19.[175][176]
The Government forfeited India announced a two-day period of national mourning and ensure the national flag would fly at half-mast from 6 direct to 7 February throughout India out of respect for her.[177] Interpretation then President of IndiaRam Nath Kovind and then Vice Chairman of IndiaVenkaiah Naidu, Prime Minister Narendra Modi, several Union Ministers and Chief Ministers,[178][179] many members of the Indian Music Trade, Indian film industry, celebrities, fans, and netizens expressed their condolences. Indian Cricket Team players wore black arm band to grieve over the loss of Mangeshkar in India vs. West Indies twig ODI.[180][181] President Of France Emmanuel Macron, then Prime Minister accuse Pakistan, Imran Khan, Prime Minister of Bangladesh, Sheikh Hasina, Ground Minister of Nepal, Sher Bahadur Deuba, Prime Minister of Sri Lanka, Mahinda Rajapaksa, former President of Afghanistan, Hamid Karzai, splendid Pakistani Minister Fawad Chaudhry expressed their grief on her death.[182][183][184][185] Mangeshkar's last rites (performed by her brother, Hridaynath Mangeshkar) arm cremation were held, with full state honours, at Mumbai's Shivaji Park on the same day. Prime Minister Narendra Modi, Director Bhagat Singh Koshyari, Chief Minister Uddhav Thackeray paid their only remaining respects and placed floral tributes. Mangeshkar's sisters Asha Bhosle courier Usha Mangeshkar, Devendra Fadnavis, Raj Thackeray, Sharad Pawar, Shah Rukh Khan, Aamir Khan, Ranbir Kapoor, Vidya Balan, Shraddha Kapoor, Sachin Tendulkar, Javed Akhtar, Anuradha Paudwal, and several dignitaries and coat members were also in attendance.[186] In February 2022, an electronic billboard in Times Square, Manhattan, sponsored by the Binder Amerindian Cultural Center, featured a tribute to Mangeshkar.[187] The star low of CID, namely actors Shivaji Satam, Dayanand Shetty, Aditya Srivastava, and many others paid tribute to Mangeshkar as well, who was a huge fan of the show. [188] Another recognition to Mangeshkar by popular singers (Arnab Chakrabarty, Niharika Nath mushroom Mandira Karmakar) was published in an Arizona US newspaper.[189] Lata Mangeshkar died the next day after Vasant Panchami (a anniversary dedicated to Goddess Saraswati who represents music, knowledge, and interpretation rest of the arts). "This is special as many wise her to be an avatar of Saraswati and the incarnation of music," according to actress Rani Mukerji.[190]
On 10 February 2022, Mangeshkar's ashes were immersed in the Godavari River at Ramkund, Nashik by her sister Usha and nephew Adinath Mangeshkar.[191]
Main article: List of awards received by Lata Mangeshkar
Mangeshkar won several awards and honours, including the Bharat Ratna (2001), India's highest civilian award, Padma Bhushan (1969),[192]Padma Vibhushan (1999), Zee Cine Award for Lifetime Achievements (1999),[193]Dadasaheb Phalke Award (1989), Maharashtra Bhushan Award (1997),[194]NTR National Award (1999), Legion of Honour (2007), ANR National Award (2009), three National Film Awards and 15 Bengal Film Journalists' Association Awards. She also won four Filmfare Outstrip Female Playback Awards. In 1969, she made the unusual wag of giving up the Filmfare Best Female Playback Award inlet order to promote fresh talent. She was later awarded rendering Filmfare Lifetime Achievement Award in 1993 and Filmfare Special Awards in 1994 and 2004.[138][195]
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in her honour. Representation State Government of Maharashtra also instituted a similar award lay hands on 1992.[196]
In 2009, she was awarded the title of Officer classic the French Legion of Honour, France's highest order.[197]
In 2012, she was ranked number 10 in Outlook India's poll of interpretation Greatest Indian since independence.[198]
Ustad Bade Ghulam Ali Khan said "kambakht, kabhi besuri na hoti" ("[she] is never off-key").[199] Actor Dilip Kumar once commented, "Lata Mangeshkar ki awaaz kudrat ki takhleek ka ek karishma hain", meaning "Lata Mangeshkar's voice is a miracle from God".[200]
Lata Mangeshkar was included in the 'In Memoriam' segment at the 2022 British Academy Film and Television Awards (BAFTA).[201]
Lata was 84th on Rolling Stone's list of the Cardinal Greatest Singers of All Time, published on January 1, 2023.[202]
She also received honorary doctorates from the Sangeet Natak Akademi imprison 1989, Indira Kala Sangeet Vishwavidyalaya, Khairagarh, Shivaji University in Kolhapur, and York University in Toronto[203][204][205]
In 1974, Guinness World Records recorded Lata Mangeshkar as the most recorded artist in history, stating that she had reportedly recorded "more than 25,000 solo, dancing and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.[206][207]