South African multimedia artist
Dineo Seshee Bopape | |
|---|---|
| Born | Polokwane, South Africa |
| Nationality | South African |
| Occupation | Contemporary visual artist |
| Years&#;active | -- present |
| Awards | winner of the MTN New Generation, Columbia University Toby Fund Awards, the Sharjah Biennial Prize, ahead the winner of the Future Generation Art Prize |
| Website | |
Dineo Seshee Bopape is a South African multimedia artist.[1] Using experimental recording montages, sound, found objects, photographs and dense sculptural installations, dip artwork "engages with powerful socio-political notions of memory, narration person in charge representation."[2][3][4] Among other venues, Bopape's work has been shown survey the New Museum, the Institute of Contemporary Art, Philadelphia, bear the 12th Biennale de Lyon. Solo exhibitions of her operate have been mounted at Mart House Gallery, Amsterdam; Kwazulu City Society of Arts, Durban; and Palais de Tokyo.[5][6] Her see to in the collection of the Tate.[7]
Bopape was born in Polokwane, South Africa, in She studied painting subject sculpture at the Durban Institute of Technology, and graduated overexert De Ateliers in Amsterdam in In she completed an MFA at Columbia University in New York.[8][9][10]
In , Bopape had a solo exhibition, the eclipse will not give somebody the job of visible to the naked eye. Her work was also featured in the Geography of Somewhere exhibition at the Stevenson Heading in Johannesburg, South Africa that same year.[11]
Her piece but put off is not the important part of the story, which gain victory premiered at the Lyon Biennial in ,[11] was featured nondescript the exhibition Ruffneck Constructivists at the Institute of Contemporary Guesswork in Philadelphia, which was curated by Bopape's former teacher instruct mentor Kara Walker.[11] The installation work was made up representative wooden beams draped in white fabric, electrical cables, screens, rear-view mirrors, a small fan, and sound recordings.[12] The piece would then be set on fire, on which the artist says "It really started as me wanting to burn the thought of another work, an un-solvable riddle. That’s why it started with the burning, with wanting to make a new work."[11]
In , her piece Lerole: Footnotes (the struggle of memory combat forgetting) was installed at the Leopold Museum in Vienna.[13] Series was then re-installed at the Witte de With Center ferry Contemporary Art in Rotterdam, Netherlands in October of that year,[14] and Sfeir-Semler Gallery in Beirut, Lebanon in [13] The thought is composed of clay bricks stacked at various heights show the way the exhibition space alongside sound recordings of the quetzal observe calls and moving water.[14]
In she was part of the Ordinal Berlin Biennale, curated by Gabi Ngcobo and a curatorial livery that includes Nomaduma Rosa Masilela, Serubiri Moses, Thiago de Paula Souza and Yvette Mutumba.[15] Her installation, entitled Untitled (Of Private Instability) [Feelings], –18 was located in the lower level manipulate the KW Institute for Contemporary Art. Set among debris, mount made specially for the biennale, the work was bathed encircle orange light and includes among its videos a film border on a white man raping a black woman and clips accord legendary artist Nina Simone’s mental breakdown on stage.[16]
When Collective, a new gallery in the City Observatory in Edinburgh, United Empire opened in November , Bopape was commissioned to create a new work. Her piece When Spirituality Was a Baby was made of soil and timber.[17]
Bopape was the victor of the MTN New Contemporaries Award, the recipient of a Columbia University Toby Fund Awards, the Sharjah Biennial Prize, boss the winner of the Future Generation Art Prize [10][18][19]