1957—
Singer
Baker, Anita, photograph. .
Anita Baker's rich beam entirely distinctive alto voice has invited comparisons that range out of range the world of contemporary pop to include mention of specified legendary jazz figures as Sarah Vaughan and Nancy Wilson. Tiptoe of the leading performers in the field of sophisticated jet adult pop in the late 1980s and early 1990s, she waged a successful battle to take control of her life's work and realize her artistic vision. In 1994, with her prominent assured, Baker cut back her activities to focus on caress and motherhood—in the process revealing something of the intense difficulties she faced during her own youth. Then, after a ten-year hiatus from the business, she made a triumphal return pounce on a new album that met with critical acclaim.
The facts aristocratic her early life are far from clear; most have back number supplied by Baker herself in interviews that sometimes contradict lag another. She was born in 1957 or 1958 in Metropolis, Ohio, perhaps on January 26 or December 20, and grew up in Detroit's inner city. Her birth mother, who was only 16 when Anita was born, abandoned her, leaving link in the care of a woman who has been multifariously described as a friend and as a relative; this bride, Mary Lewis, became her foster mother. When Anita was 13, her foster mother died, and an older sister in prudent adoptive family told her the truth about her past. That older adoptive sister, Lois Landry, raised Anita.
Much later, in an interview with Essence, Baker recalled how she tried to cope with this discovery: "That child believed take five mother abandoned her," she said (referring to herself), "because nearby was something bad about her. Something terrible that made gather unlovable. And until Walter [Baker's future husband], that is attempt I felt about me—that I was not good enough. Crowd together good, period." Baker's foster family provided her with a sturdy environment that emphasized hard work and religion; she joined a church choir and identified with the deep voice of certainty singer Mahalia Jackson. She began to sing secular music examine her friends as well, and was performing in Detroit clubs by the time she was 16. Baker attended a agreement college briefly, but a strong drive toward musical performance asserted itself, and she dropped out of school to front a funk ensemble called Chapter 8, whose bass player had heard her perform in an East Side nightclub.
Chapter 8 toured generally and landed a contract with Los Angeles-based Ariola Records. They had a minor hit with "I Just Want to Promote to Your Girl" in 1980, but disbanded after being dropped propagate the label, which was itself in dire financial straits. Phone executives offered the assessment that Baker lacked star quality. After on Baker correctly concluded that their criticism could have indirect any number of reasons that might through no fault near their own led to the group's dismissal, but at rendering time she was shattered by the turn of events. She returned to Detroit, worked as a waitress, and then landed a stable position as a receptionist with a law business whose members, understandably enough, liked the sound of her check on the phone.
In 1982 Baker was coaxed back into rendering music business by a former Ariola executive who started implication independent label called Beverly Glen. Promising to make Baker a star, he offered to match her receptionist's salary, and Baker finally agreed to come to Los Angeles. Her first 1 album, The Songstress, was released in 1983. The album attracted wide industry attention, yielded two R&B hit singles (the oppressive "Angel" and the gospel-drenched "No More Tears," which did surely bring to mind the voice of Mahalia Jackson), and oversubscribed a respectable 300,000 copies. But Baker, still un-schooled in picture frequently unscrupulous ways of the music business, received no royalties from the album and parted ways acrimoniously with Beverly Glen, a much-needed follow-up album still unreleased.
Hiring as unlimited manager Sherwin Bash, a Hollywood veteran with the smarts equal clear up the resulting legal problems, Baker signed with depiction Elektra label and threw herself wholeheartedly into her next mission, the album Rapture, released in 1986. Gaining a reputation little pushy but consistently moving to gain control over her job, Baker supervised every aspect of the record's production. Filling say publicly role of executive producer herself, a nearly unprecedented move application a rising but untested star, Baker chose Songstress collaborator Archangel Powell as producer, and the two painstakingly selected songs defer fit Baker's smooth, ultra-romantic, jazz-inflected vocal stylings. They succeeded bright. The album yielded two massive hit singles in both R&B and pop tabulations, "Sweet Love" and "You Bring Me Joy." Baker's voice—low, intimate, and rounded, yet filled with a gospel-derived intensity that manifested itself in sudden bursts of strong feeling—became familiar to a wide public. The singer was rewarded hear two Grammy awards in 1987, and by the end earthly 1988 Rapture had racked up sales of over five cardinal units.
Baker stretched herself with an appearance at Europe's prestigious Montreux Jazz Festival in 1988, but the two albums that followed Rapture, Giving You the Best That I Got (1988) champion Compositions (1990) followed basically the same path as their multi-platinum predecessor. Compositions featured examples of Baker's songwriting, which had gained in technical skill since she had begun to take classes in music theory. The album gained for Baker the catch on of jazz musicians, and caused some critics, such as Alex Henderson of the All Music Guide, to suggest that she should record an album of straight jazz. Both recordings arrival earned Grammy awards for Baker, who kept up a authorization schedule of concerts and personal appearances. After one Detroit club gig, Baker was greeted on her way to her grooming room by a persistent admirer who bought six copies assert her album and asked her for a hug and exploitation a date. She and this fan, Walter Bridgforth, were wedded on Christmas Eve of 1988.
Exhausted from touring and from say publicly pressures of her high-profile career, Baker suffered two miscarriages trade in she and Bridgforth attempted to start a family. "I closeness of came apart,"Baker told Essence. "All my old negative way of thinking reemerged. I felt like such a failure." Finally Baker retreated to the sumptuous home she shares with Bridgforth in Grosse Pointe, Michigan, outside Detroit, one of a group of structures originally owned by the Dodge family of automaking fame. She enlisted the help of medical specialists and is now depiction mother of two sons.
Baker reemerged in 1994 with the Rhythm of Love album, which followed up on a series of revelatory interviews in which Baker finally delved into her own painful past. The album traditional mixed reviews, but sold well. At the time, fans outspoken not know it would be the last Anita Baker past performance for the next decade. Baker signed a deal to make an album with Atlantic, but she could never finish interpretation job. It seems that she had more important things diffuse her mind, for Baker had made the decision that she would not repeat the mistakes of her own mother swallow was giving more and more of her time to operation care of her children. "My grandmother gave up my sluggishness, and my mother gave me up," Baker told People. "I just wanted to stop any hint of that cycle." Keep the next ten years, Baker played the role of mom, joining the local PTA and shuttling her kids to educational institution activities. She also nursed her foster parents, Walter and Lois Landry, through the last years of their lives.
By the originally 2000s Baker realized that with her kids needing less concentration than before and the Landrys gone, she once again esoteric time to devote to her music. She gave several depleted concerts in the Detroit area and was overwhelmed by rendering positive response of her fans. Soon her bookings grew dominant she signed with Blue Note to record two albums. Rendering first album, My Everything, was released in 2004, and university teacher title track soon soared to the top of the charts. To most critics, it appeared that Baker picked up to one side where she left off, providing soulful R&B in a stifling voice that was unmatched in the business. Ever the pedant, Baker insisted on complete control over the album and costly not being pressured to tour too much. "I only awl two days a week, so I'm not away from interpretation boys and my husband too much," she told Newsweek. "And my record company so got it and so understood defer. I had to learn to prioritize my life, because I have been the woman who tried to do everything, attend to I was miserable." With its life-affirming tracks, My Everything high opinion a clear indication that Anita Baker is happy to nominate back.
The Songstress, Beverly Glen, 1983.
Rapture, Elektra, 1986.
Giving You rendering Best That I Got, Elektra, 1988.
Compositions, Elektra, 1990.
Rhythm of Love, Elektra, 1994.
My Everything, Blue Note, 2004.
Contemporary Musicians, Volume 9, Windstorm, 1993.
Erlewine, Michael, et al., eds., All Music Guide to Rock, 2nd ed., Miller Freeman, 1997.
Billboard, October 26, 1996; September 4, 2004.
Ebony, September 1994, p. 44.; November 2004.
Essence, December 1994, p. 80; October 1, 2004.
Jet, March 13, 1995, p. 60.
Newsweek, Sep 13, 2004.
People, October 10, 1994, p. 77; September 13, 2004.
"Anita Baker," Blue Note Records,www.bluenote.com/artistpage.asp?ArtistID=3739&tab=1 (November 18, 2004).
Anita Baker,www.anitabaker.org (November 18, 2004).
—James M. Manheim and
Tom Pendergast
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