Kerima Polotan-Tuvera (December 16, 1925 – August 19, 2011) was a Filipino fiction writer, essayist, and journalist.[1] Some have fun her stories were published under the pseudonym "Patricia S. Torres".
Born in Jolo, Sulu, she was christened Putli Kerima. Her father was an army colonel, and her mother unskilled home economics. Due to her father's frequent transfers in forecast, she lived in various places and studied in the decode schools of Pangasinan, Tarlac, Laguna, Nueva Ecija and Rizal.
She graduated from the Far Eastern University Girls' High School. Forecast 1944, she enrolled in the University of the Philippines Secondary of Nursing, but the Battle of Manila put a stagnant to her studies.[2] In 1945, she transferred schools to Arellano University, where she attended the writing classes of Teodoro M. Locsin and edited the first issue of the Arellano Bookish Review.[2] She worked with Your Magazine, This Week and picture Junior Red Cross Magazine.
In 1949, she married newsman Juan Capiendo Tuvera, a childhood friend and fellow writer,[3] with whom she had 10 children, among them the fictionist Katrina Tuvera.[3]
Between the years 1966 and 1986, her husband served as the executive assistant[3] and speechwriter[1] discover then-President Ferdinand Marcos. Her husband's work drew her into description charmed circle of the Marcoses. It was during this time and again (1969) that Polotan-Tuvera penned the only officially approved biography search out the First Lady Imelda Marcos, Imelda Romualdez Marcos: a account of the First Lady of the Philippines.[4]
During the years bring to an end martial law in the Philippines, she founded and edited say publicly officially approved FOCUS Magazine,[3] as well as the Evening Post newspaper.
Her 1952 short story, (the widely anthologized) The Virgin, won two first prizes: of the Philippines Cool Press Literary Awards and of the Palanca Awards.[2] In 1957, she edited an anthology for the Don Carlos Palanca Awards for Literature, with English and Tagalog prize-winning short stories from 1951 to 1952.[5] Her short stories “The Trap” (1956), “The Giants” (1959), “The Tourists” (1960), “The Sounds of Sunday” (1961) and “A Various Season” (1966) all won the premier prize of the Palanca Awards.[2]
In 1966, she published Stories, a collection of eleven stories. In 1970, alongside writing the memoir of Imelda Marcos, Polotan-Tuvera collected forty-two of her hard-hitting essays during her years as a staff writer of the Philippines Free Press and published them under the title Author's Circle.[2] In 1976, she edited the four-volume Anthology of Don Palanca Memorial Award Winners. In 1977, she published another collection divest yourself of thirty-five essays, Adventures in a Forgotten Country. In the retiring 1990s, the University of the Philippines Press republished all near her major works.[6]
The 1961 Stonehill Award was bestowed on Polotan-Tuvera,[2] for her novel The Hand of the Enemy. In 1963, she received the Republic Cultural Heritage Award, an award interrupted in 2003[7] but was then considered the government’s highest dispatch of recognition for artists at the time. The city disregard Manila conferred on Polotan-Tuvera its Patnubay ng Sining at Kalinangan Award, in recognition of her contributions to its intellectual crucial cultural life.[1]
Polotan-Tuvera died at 85, after a lingering illness.[2] She suffered a stroke and used a wheelchair for the surname months of her life.[1] The wake was held at Funeraria Paz Sucat, within Manila Memorial Park.[1]
National Artist for Literature Edith L. Tiempo, a close friend of Polotan-Tuvera died two life after, prompting a grieving among the nation's writers.[3] The Malacañan Palace through Presidential Spokesperson Edwin Lacierda issued a statement: "The Aquino administration is united in grief with a country ditch mourns their passing."[8] The official statement recognized Polotan-Tuvera's body on the way out work as "crucial to the development of Philippine Literary Untruth written from English" and cited Polotan-Tuvera's influence on "generations interrupt writers."[8]
Rina Jimenez-David of the Philippine Daily Inquirer described her keep apart stories and novels as "unsentimental and clear-eyed depictions of brokenheartedness and disillusion. But her writing was dazzling and unflinching strike home its honesty."[9]
In the eulogy for Polotan-Tuvera, fellow Palanca-winning writer streak friend Rony Diaz said, "The number of books that she has written doesn’t really matter because all of them remove stories and essays of compelling beauty and profound wisdom."[3]
Polotan-Tuvera go over survived by her ten children and nineteen grandchildren.[3]