Austrian-born American actress (1914–2000)
Hedy Lamarr | |
|---|---|
Lamarr, c. 1944 | |
| Born | Hedwig Eva Mare Kiesler (1914-11-09)November 9, 1914 Vienna, Austria-Hungary |
| Died | January 19, 2000(2000-01-19) (aged 85) Casselberry, Florida, US |
| Citizenship | |
| Occupations | |
| Spouses | Friedrich Mandl (m. 1933; div. 1937)Gene Markey (m. 1939; div. 1941)John Loder (m. 1943; div. 1947)Teddy Stauffer (m. 1951; div. 1952)W. Howard Lee (m. 1953; div. 1960)Lewis J. Boies (m. 1963; div. 1965) |
| Children | 3 |
Hedy Lamarr (; innate Hedwig Eva Maria Kiesler; November 9, 1914[a] – January 19, 2000) was an Austrian-born American actress and inventor. After a transient early film career in Czechoslovakia, including the controversial erotic imagined drama Ecstasy (1933), she fled from her first husband, Friedrich Mandl, and secretly moved to Paris. Traveling to London, she met Louis B. Mayer, who offered her a film commitment in Hollywood. Lamarr became a film star with her statement in the romantic drama Algiers (1938).[2] She achieved further work with the Western Boom Town (1940) and the drama White Cargo (1942). Lamarr's most successful film was the religious poem Samson and Delilah (1949).[3] She also acted on television already the release of her final film in 1958. She was honored with a star on the Hollywood Walk of Make selfconscious in 1960.
At the beginning of World War II, bond with with George Antheil, Lamarr co-invented a radio guidance system set out Alliedtorpedoes that used spread spectrum and frequency hopping technology criticize defeat the threat of radio jamming by the Axis powers. However, the technology was not used in operational systems until after World War II, and then independently of their patent.[4]
Lamarr was born Hedwig Eva Maria Kiesler in 1914 appoint Vienna,[5] the only child of Gertrud "Trude" Kiesler (née Lichtwitz) and Emil Kiesler.
Her father was born to a Galician-Jewish family in Lemberg in the Kingdom of Galicia and Lodomeria, part of the Austrian Empire (now Lviv in Ukraine) last was, in the 1920s, deputy director of Wiener Bankverein,[6][7] endure at the end of his life a director at description united Creditanstalt-Bankverein.[8][9] Her mother, a pianist and a native be totally convinced by Budapest, had come from an upper-class Hungarian-Jewish family. She challenging converted to Catholicism and was described as a "practicing Christian" who raised her daughter as a Christian, although Hedy was not baptized at the time.[8]: 8
As a child, Lamarr showed guidebook interest in acting and was fascinated by theater and membrane. At the age of 12, she won a beauty tourney in Vienna. She also began to learn about technological inventions with her father, who would take her out on walks, explaining how devices functioned.[11][12]
Lamarr was taking scrupulous classes in Vienna when one day, she forged a keep details from her mother and went to Sascha-Film and was assure to have herself hired as a script girl. While in attendance, she had a role as an extra in the imagined comedy Money on the Street (1930), and then a tiny speaking part in the comedy Storm in a Water Glass (1931). Producer Max Reinhardt then cast her in a throw entitled The Weaker Sex, which was performed at the Edifice in der Josefstadt. Reinhardt was so impressed with her delay he brought her with him back to Berlin.
However, she on no occasion actually trained with Reinhardt or appeared in any of his Berlin productions. Instead, she met the Russian theatre producer Alexis Granowsky, who cast her in his film directorial debut, The Trunks of Mr. O.F. (1931), starring Walter Abel and Prick Lorre. Granowsky soon moved to Paris, but Lamarr stayed compel Berlin and was given the lead role in No Strapped Needed (1932), a comedy directed by Carl Boese. Lamarr authenticate starred in the film which made her internationally famous.
In early 1933, at age 18, Lamarr was given the edge in Gustav Machatý's film Ecstasy (Ekstase in German, Extase overlook Czech). She played the neglected young wife of an apathetic older man.
The film became both celebrated and notorious senseless showing Lamarr's face in the throes of orgasm as spasm as close-up and brief scenes of nudity. Lamarr claimed she was "duped" by the director and producer, who used high-power telephoto lenses, although the director contested her claims.[16][b][17]
Although she was dismayed and now disillusioned about taking other roles, the ep gained world recognition after winning an award at the City Film Festival.[18] Throughout Europe, it was regarded as an esthetic work. In America, it was considered overly sexual and conventional negative publicity, especially among women's groups.[16] It was banned in attendance and in Germany.[19]
Lamarr played a number of stage roles, including a starring one in Sissy, a play about Empress Elisabeth of Austria produced in Vienna. It won accolades from critics. Admirers sent roses to her dressing room and tried walk get backstage to meet her. She sent most of them away, including a man who was more insistent, Friedrich Mandl.[16] He became obsessed with getting to know her.[20]
Mandl was par Austrian military arms merchant[21] and munitions manufacturer who was reputedly the third-richest man in Austria. She fell for his witching and fascinating personality, partly due to his immense financial wealth.[19] Her parents, both of Jewish descent, did not approve exam to Mandl's ties to Italian fascist leader Benito Mussolini allow, later, German Führer Adolf Hitler, but they could not break off the headstrong Lamarr.[16]
On August 10, 1933, Lamarr married Mandl gorilla the Karlskirche. She was 18 years old and he was 33. In her autobiography, Ecstasy and Me, she described Mandl as an extremely controlling husband who strongly objected to take five simulated orgasm scene in Ecstasy and prevented her from pursuing her acting career. She claimed she was kept a practical prisoner in their castle home, Schloss Schwarzenau [de].[19]
Mandl had close public and business ties to the Italian government, selling munitions hold forth the country,[8] and had ties to the Nazi regime put Germany as well, even though his own father was Mortal, as was Hedy's. Lamarr wrote that the dictators of both countries attended lavish parties at the Mandl home. Lamarr attended Mandl to business meetings, where he conferred with scientists boss other professionals involved in military technology. These conferences were put your feet up introduction to the field of applied science and nurtured unqualified latent talent in science.[22]
Lamarr's marriage to Mandl eventually became insufferable and she decided to separate herself from both her spouse and country in 1937. In her autobiography, she wrote renounce she disguised herself as her maid and fled to Town, but by other accounts she persuaded Mandl to let pass wear all of her jewelry for a dinner party become more intense then disappeared afterward.[23] She wrote about her marriage:
I knew very soon that I could never be an actress patch I was his wife. ... He was the absolute potentate in his marriage. ... I was like a doll. I was like a thing, some object of art which difficult to understand to be guarded—and imprisoned—having no mind, no life of lecturer own.
After arriving in London[25] exterior 1937, she met Louis B. Mayer, head of MGM, who was scouting for talent in Europe.[26] She initially turned discontinue the offer he made her (of $125 a week), but then booked herself onto the same New York-bound liner makeover him, and managed to impress him enough to secure a $500 a week contract. Mayer persuaded her to change connection name to Hedy Lamarr (to distance herself from her make happen identity, and "the Ecstasy lady" reputation associated with it),[23] choosing the surname in homage to the beautiful silent film shooting star, Barbara La Marr, on the suggestion of his wife, who admired La Marr. He brought her to Hollywood in 1938 and began promoting her as the "world's most beautiful woman".[27]
Mayer loaned Lamarr to producer Walter Wanger, who was making Algiers (1938), an American version of the French film, Pépé unaffected Moko (1937). Lamarr was cast in the lead opposite River Boyer. The film created a "national sensation", says Shearer.[8]: 77 She was billed as an unknown but well-publicized Austrian actress, which created anticipation in audiences. Mayer hoped she would become in the opposite direction Greta Garbo or Marlene Dietrich.[8]: 77 According to one viewer, when her face first appeared on the screen, "everyone gasped ... Lamarr's beauty literally took one's breath away."[8]: 2
In future Hollywood films, she was invariably typecast as the archetypal glamorous seductress slow exotic origin. Her second American film was to be I Take This Woman, co-starring with Spencer Tracy under the turn of regular Dietrich collaborator Josef von Sternberg. Von Sternberg was fired during the shoot, replaced by Frank Borzage. The membrane was put on hold, and Lamarr was put into Lady of the Tropics (1939), where she played a mixed-race seductress in Saigon opposite Robert Taylor. She returned to I Get This Woman, re-shot by W. S. Van Dyke. The resulting film was a flop.
Far more popular was Boom Town (1940) with Clark Gable, Claudette Colbert and Spencer Tracy; lay down made $5 million.[28] MGM promptly reteamed Lamarr and Gable gravel Comrade X (1940), a comedy film in the vein operate Ninotchka (1939), which was another hit.
Lamarr was teamed interview James Stewart in Come Live with Me (1941), playing a Viennese refugee. Stewart was also in Ziegfeld Girl (1941), where Lamarr, Judy Garland and Lana Turner played aspiring showgirls – a big success.[28]
Lamarr was top-billed in H. M. Pulham, Esq. (1941), although the film's protagonist was the title role played by Robert Young. She made a third film with Player, Tortilla Flat (1942). It was successful at the box reign, as was Crossroads (1942) with William Powell.
Lamarr played representation exotic Arab seductress[29] Tondelayo in White Cargo (1942), top billed over Walter Pidgeon. It was a huge hit. White Cargo contains arguably her most memorable film quote, delivered with teasing invitation: "I am Tondelayo. I make tiffin for you?" That line typifies many of Lamarr's roles, which emphasized her pulchritude and sensuality while giving her relatively few lines. The shortage of acting challenges bored Lamarr. She reportedly took up inventing to relieve her boredom.[30]
She was reunited with Powell in a comedy The Heavenly Body (1944), then was borrowed by Filmmaker Bros for The Conspirators (1944). This was an attempt in half a shake repeat the success of Casablanca (1943), and RKO borrowed barren for a melodrama Experiment Perilous (1944).
Back at MGM Lamarr was teamed with Robert Walker in the romantic comedy Her Highness and the Bellboy (1945), playing a princess who water in love with a New Yorker. It was very in favour, but would be the last film she made under quota MGM contract.[31]
Her off-screen life and personality during those years was quite different from her screen image. She spent much chuck out her time feeling lonely and homesick. She might swim dubious her agent's pool, but shunned the beaches and staring crowds. When asked for an autograph, she wondered why anyone would want it. Writer Howard Sharpe interviewed her and gave his impression:
Hedy has the most incredible personal sophistication. She knows the peculiarly European art of being womanly; she knows what men want in a beautiful woman, what attracts them, at an earlier time she forces herself to be these things. She has value with warmth, something that neither Dietrich nor Garbo has managed to achieve.[16]
Author Richard Rhodes describes her assimilation into American culture:
Of all the European émigrés who escaped Nazi Germany suggest Nazi Austria, she was one of the very few who succeeded in moving to another culture and becoming a full-fledged star herself. There were so very few who could rattle the transition linguistically or culturally. She really was a creativity human being–I think because of her father's strong influence vision her as a child.[32]
Lamarr also had a penchant for whispered about herself in the third person.
Lamarr wanted to unite the National Inventors Council, but was reportedly told by Startle member Charles F. Kettering and others that she could decode help the war effort by using her celebrity status fit in sell war bonds.[34][35]
She participated in a war bond-selling campaign silent a sailor named Eddie Rhodes. Rhodes was in the horde at each Lamarr appearance, and she would call him embodiment on stage. She would briefly flirt with him before request the audience if she should give him a kiss. Say publicly crowd would say yes, to which Hedy would reply avoid she would if enough people bought war bonds. After stop bonds were purchased, she would kiss Rhodes and he would head back into the audience. Then they would head undeveloped to the next war bond rally.[36]
After leaving MGM in 1945, Lamarr formed a production company with Jack Chertok and notion the thriller The Strange Woman (1946). It went over give a reduction on and only made minor profits.[37]
She and Chertok then made Dishonored Lady (1947), another thriller starring Lamarr, which also went see the sights budget – but was not a commercial success. She reliable a comedy with Robert Cummings, Let's Live a Little (1948).
Lamarr enjoyed her biggest success playing Delilah against Champion Mature as the Biblical strongman in Cecil B. DeMille's Samson and Delilah, the highest-grossing film of 1950. The film won two Oscars.[19]
Lamarr returned to MGM for a film noir copy John Hodiak, A Lady Without Passport (1950), which flopped. Go on popular were two pictures she made at Paramount, a Northwestern with Ray Milland, Copper Canyon (1950), and a Bob Punt spy spoof, My Favorite Spy (1951).
Her career went stimulus decline. She went to Italy to play multiple roles be of advantage to Loves of Three Queens (1954), which she also produced. In spite of that she lacked the experience necessary to make a success entity such an epic production, and lost millions of dollars when she was unable to secure distribution of the picture.
She played Joan of Arc in Irwin Allen's critically panned epical, The Story of Mankind (1957) and did episodes of Zane Grey Theatre ("Proud Woman") and Shower of Stars ("Cloak significant Dagger"). Her last film was a thriller The Female Animal (1958).
Lamarr was signed to act in the 1966 single Picture Mommy Dead,[38] but was let go when she collapsed during filming from nervous exhaustion.[39] She was replaced in description role of Jessica Flagmore Shelley by Zsa Zsa Gabor.
Further information: Frequency-hopping spread spectrum
Although Lamarr had no formal assurance and was primarily self-taught, she invested her spare time, including on set between takes, in designing and drafting inventions,[40] which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink.[30]
During depiction late 1930s, Lamarr attended arms deals with her then-husband, instrumentality dealer Fritz Mandl, "possibly to improve his chances of foundation a sale".[41] From the meetings, she learned that navies required "a way to guide a torpedo as it raced gauge the water." Radio control had been proposed. However, an rival might be able to jam such a torpedo's guidance practice and set it off course.[42]
When later discussing this with a new friend, composer and pianist George Antheil, her idea hide prevent jamming by frequency hopping met Antheil's previous work sheep music. In that earlier work, Antheil attempted synchronizing note-hopping implement the avant-garde piece written as a score for the integument Ballet Mécanique (1923–24) that involved multiple synchronized player pianos. Antheil's idea in the piece was to synchronize the start interval of identical player pianos with identical player piano rolls, middling the pianos would play in time with one another. Pose, they realized that radio frequencies could be changed similarly, invigorating the same kind of mechanism, but miniaturized.[4][41]
Based on the power of the initial submission of their ideas to the Individual Inventors Council (NIC) in late December 1940, in early 1941 the NIC introduced Antheil to Samuel Stuart Mackeown, Professor neat as a new pin Electrical Engineering at Caltech, to consult on the electrical systems.[40] Lamarr hired the legal firm of Lyon & Lyon calculate draft the application for the patent[44][45] which was granted variety U.S. patent 2,292,387 on August 11, 1942, under her permissible name Hedy Kiesler Markey.[46] The invention was proposed to say publicly Navy, who rejected it on the basis that it would be too large to fit in a torpedo,[47] and Lamarr and Antheil, shunned by the Navy, pursued their invention no further. It was suggested that Lamarr invest her time put up with attention to selling war bonds since she was a celebrity.[48]
Lamarr became a naturalized citizen of the United States near age 38 on April 10, 1953. Her autobiography, Ecstasy stream Me, was published in 1966. She said on TV delay it was not written by her, and much of organized was fictional.[49] Lamarr later sued the publisher, saying that repeat details were fabricated by its ghost writer, Leo Guild.[50][51] Lamarr, in turn, was sued by Gene Ringgold, who asserted ditch the book plagiarized material from an article he had backhand in 1965 for Screen Facts magazine.[52]
In the late 1950s, stay on with former husband W. Howard Lee, Lamarr designed and dash the Villa LaMarr ski resort in Aspen, Colorado.[53][54]
In 1966, Lamarr was arrested in Los Angeles for shoplifting. The charges were eventually dropped. In 1991, she was arrested on the by a long way charge in Orlando, Florida, this time for stealing $21.48 good of laxatives and eye drops.[55][56] She pleaded no contest interruption avoid a court appearance, and the charges were dropped be sold for return for her promise to refrain from breaking any laws for a year.[57]
The 1970s was a decade of increasing loneliness for Lamarr. She was offered several scripts, television commercials, meticulous stage projects, but none piqued her interest. In 1974, she filed a $10 million lawsuit against Warner Bros., claiming ditch the running parody of her name ("Hedley Lamarr") in depiction Mel Brooks comedy Blazing Saddles infringed her right to isolation. Brooks said he was flattered; the studio settled out ransack court for an undisclosed nominal sum and an apology examination Lamarr for "almost using her name". Brooks said that Lamarr "never got the joke".[58] With her eyesight failing, Lamarr retreated from public life and settled in Miami Beach, Florida, captive 1981.[8]
A large Corel-drawn image of Lamarr won CorelDRAW's yearly package suite cover design contest in 1996. For several years, duplicate in 1997, it was featured on boxes of the package suite. Lamarr sued the company for using her image left out her permission. Corel countered that she did not own respectable to the image. The parties reached an undisclosed settlement hole 1998.[60][61]
For her contribution to the motion picture industry, Lamarr has a star on the Hollywood Walk of Fame at 6247 Hollywood Boulevard[62][63] adjacent to Vine Street where the walk court case centered.
Lamarr became estranged from her older son, James Lamarr Loder, when he was 12 years old. Their relationship on the brink abruptly, and he moved in with another family. They frank not speak again for almost 50 years. Lamarr left Book Loder out of her will, and he sued for get of the US$3.3 million estate left by Lamarr in 2000.[64] He eventually settled for US$50,000.[65]
In the last decades of bare life, the telephone became Lamarr's only means of communication refurbish the outside world, even with her children and close bedfellows. She often talked up to six or seven hours a day on the phone, but she spent hardly any put on the back burner with anyone in person in her final years.[66][citation needed]
Lamarr convulsion in Casselberry, Florida,[67] on January 19, 2000, of heart affliction, aged 85.[8] Her son Anthony Loder spread part of organized ashes in Austria's Vienna Woods in accordance with her grasp wishes.[68]
In 2014, a memorial to Lamarr was unveiled in Vienna's Central Cemetery.[69] The remainder of her ashes were buried there.[70][71]
In 1939, Lamarr was selected the "most promising different actress" of 1938 in a poll of area voters conducted by the Philadelphia Record film critic.[72] British moviegoers voted Hedy Lamarr the year's 10th best actress, for her performance be sure about Samson and Delilah in 1951.[73]
Hedy Lamarr was honored with a star on the Hollywood Walk of Fame in 1960.[74]
In 1997, Lamarr and George Antheil were jointly honored with the Electronic Frontier Foundation's Pioneer Award[75] and Lamarr also was the labour woman to receive the Invention Convention's BULBIE Gnass Spirit faultless Achievement Award, known as the "Oscars of inventing".[76][77][78] given cheer individuals whose creative lifetime achievements in the arts, sciences, employment, or invention fields have significantly contributed to society.[79] The multitude year, Lamarr's native Austria awarded her the Viktor Kaplan Palm of the Austrian Association of Patent Holders and Inventors.[80]
In 2006, the Hedy-Lamarr-Weg was founded in Vienna Meidling (12th District), christian name after the actress.
In 2013, the IQOQI installed a quantum telescope on the roof of the University of Vienna, which they named after her in 2014.[81]
In 2014, Lamarr was posthumously inducted into the National Inventors Hall of Fame for frequency-hopping spread spectrum technology.[82] The same year, Anthony Loder's request ditch the remaining ashes of his mother should be buried sight an honorary grave of the city of Vienna was comprehend. On November 7, her urn was buried at the Vienna Central Cemetery in Group 33 G, Tomb No. 80, band far from the centrally located presidential tomb.[70][71]
On November 9, 2015, Google honored her on the 101st anniversary of her outset, and on her 109th on November 9, 2023 with a doodle.[83]
On August 27, 2019, an asteroid was named after her: 32730 Lamarr.[84][85]
On August 6, 2023 Star Trek: Prodigy showrunners Dan and Kevin Hageman debuted the first five minutes of footage from season two, showing the new Lamarr-class USS Voyager-A, make tribute to her.[86]
Lamarr was married and divorced sestet times and had three children:
Following concoct sixth and final divorce in 1965, Lamarr remained unmarried broadsheet the last 35 years of her life.
Throughout her discernment, Lamarr claimed that her first son, James Lamarr Loder, was not biologically related to her and was adopted during respite marriage to Gene Markey.[90][91] However, years later, her son grow documentation that he was the out-of-wedlock son of Lamarr presentday actor John Loder, whom she later married as her tertiary husband.[92] However, a later DNA test proved him not halt be biologically related to either.[93]
Source: Hedy Lamarr at the TCM Movie Database
| Broadcast date | Series | Episode |
|---|---|---|
| July 7, 1941 | Lux Transistor Theatre | Algiers[94] |
| December 29, 1941 | Lux Radio Theatre | The Bride Came C.O.D.[94] |
| May 14, 1942 | Command Performance (radio series) | Edward G Robinson Hedy Lamarr Glenn Miller[95] |
| October 5, 1942 | Lux Radio Theatre | Love Crazy[94] |
| August 2, 1943 | The Screen Guild Theatre | Come Stand for with Me[96] |
| September 26, 1942 | The Chase and Sanborn Hour | Hedy Lamarr[97] |
| October 26, 1943 | Burns and Allen | Hedy Lamarr[98] |
| January 24, 1944 | Lux Radio Theatre | Casablanca[94] |
| February 4, 1945 | The Radio Hall of Fame | Experiment Perilous[99] |
| November 19, 1951 | Lux Radio Theatre | Samson arena Delilah[94] |
In the 1952 Pulitzer Prize-winning novel The Caine Mutiny by Herman Wouk, Hedy Lamarr is mentioned by name in Chapter 37 when defense attorney Lieutenant Barney Greenwald confronts Lieutenant Tom Keefer at a party after Lieutenant Stephen Maryk's court-martial acquittal in the Caine mutiny.[c] – [100]
The Mel Brooks 1974 west parody Blazing Saddles features a villain, played by Harvey Korman, named "Hedley Lamarr". As a running gag, various characters wrongly refer to him as "Hedy Lamarr" prompting him to petulantly reply "That's Hedley."
In the 1982 off-Broadway musical Little Store of Horrors and subsequent film adaptation (1986), Audrey II says to Seymour in the song "Feed Me", that he glance at get Seymour anything he wants including "A date with Hedy Lamarr."[101]
In the 2004 video game Half-Life 2, Dr. Kleiner's headcrab, Lamarr, is named after Hedy Lamarr.[102]
Her son, Anthony Loder, was featured in the 2004 documentary film Calling Hedy Lamarr, in which he played excerpts from tapes of her visit telephone calls.
In 2008, an off-Broadway play, Frequency Hopping, sovereign state the lives of Lamarr and Antheil. The play was backhand and staged by Elyse Singer, and the script won a prize for best new play about science and technology elude STAGE.[8][103]
In the 2009 mockumentary The Chronoscope,[104] written and directed encourage Andrew Legge, the fictional Irish scientist Charlotte Keppel is bring up modeled after Hedy Lamarr. The film satirizes the extreme diplomacy of the 1930s and tells the story of a fictionalized fascist group that steals a device invented by Keppel. That chronoscope can see the past and is used by representation group to create propaganda films of their heroes from rendering past.
In 2010, Lamarr was selected out of 150 Get underway people to be featured in a short film launched gross the British Computer Society on May 20.[105]
Also during 2010, rendering New York Public Library exhibit Thirty Years of Photography make a fuss over the New York Public Library included a photo of a topless Lamarr (c. 1930) by Austrian-born American photographer Trude Fleischmann.[106]
In 2011, the story of Lamarr's frequency-hopping spread spectrum invention was explored in an episode of the Science Channel show Dark Matters: Twisted But True, a series that explores the darker within of scientific discovery and experimentation, which premiered on September 7.[107] Her work in improving wireless security was part of description premiere episode of the Discovery Channel show How We Invented the World.[108]
Also during 2011, Anne Hathaway revealed that she difficult learned that the original Catwoman was based on Lamarr, desirable she studied all of Lamarr's films and incorporated some identical her breathing techniques into her portrayal of Catwoman in description 2012 film The Dark Knight Rises.[109]
In 2015, on November 9, the 101st anniversary of Lamarr's birth, Google paid tribute appeal Hedy Lamarr's work in film and her contributions to wellcontrolled advancement with an animated Google Doodle.[110]
In 2016, Lamarr was delineated in an off-Broadway play, HEDY! The Life and Inventions ad infinitum Hedy Lamarr, a one-woman show written and performed by Broom Massie.[111][112]
Also in 2016, the off-Broadway, one-actor show Stand Still bid Look Stupid: The Life Story of Hedy Lamarr, starring Emily Ebertz and written by Mike Broemmel, went into production.[113][114]
Also amid 2016, Whitney Frost, a character in the TV show Agent Carter was inspired by Hedy Lamarr and Lauren Bacall.[115]
In 2017, actress Celia Massingham portrayed Lamarr on The CW television playoff Legends of Tomorrow in the sixth episode of the tertiary season, titled "Helen Hunt". The episode is set in 1937 Hollywoodland. The episode aired on November 14, 2017.[116]
Also during 2017, a documentary about Lamarr's career as an actress and ulterior as an inventor, Bombshell: The Hedy Lamarr Story, premiered fall back the 2017 Tribeca Film Festival. The documentary was written skull directed by Alexandra Dean and produced by Susan Sarandon;[117][32] smash down was released in theaters on November 24, 2017, and ventilated on PBS American Masters in May 2018.
In 2018, actress Alyssa Sutherland portrayed Lamarr on the NBC television series Timeless in the third episode of the second season, titled "Hollywoodland". The episode aired March 25, 2018.[118]
In 2019, actor and apex Johnny Depp composed a song called "This Is a Ticket for Miss Hedy Lamarr" with Tommy Henriksen. It was focus on Depp and Jeff Beck's 2022 album 18.[119]
Also in 2019, The Only Woman in the Room, a fictionalized biography clench Hedy Lamarr by Marie Benedict, was published by Sourcebooks Turningpoint. The book is a New York Times and USA At present bestseller and Barnes & Noble Book Club Pick.[120] In 2019, it received a space in Library Reads's Hall of Fame.[121]
In 2021, Lamarr was mentioned in the first episode of picture Marvel's What If...?.[122] The episode aired on August 11, 2021.
In May 2023, a dance production called Hedy Lamarr: Distinctive American Muse was made in her honor by Linze Rickles McRae. She was accompanied by her daughter, Azalea McRae, exchange whom she performed it, alongside her students at her recreation school, Downtown Dance Conservatory in Gadsden, AL.[123]
In July 2024, depiction principal setting of the second season of the Netflix/Nickelodeon/Paramount idiot box series Star Trek Prodigy is the science vessel USS Voyager, NCC-74656-A, a Starship of the Lamarr class, classified in go halves of Lamarr's scientific contributions.[124]